Page 103 - Frank Rosenow "Seagoing Knots"
P. 103

IN LIEU OF



                            BIBLIOGRAPHY


















        I have tried to share some knots in the sense they became memorable to me.
         Other writers on cordage have approached the subject in different ways.
            The first modern (meaning legible, and fairly comprehensive) work on
         knots was penned by Dr. Hjalmar August Ohrwall (1851-1929), a profes¬

         sor of physiology at Uppsala University in Sweden. Ohrwall, a follower of
         the then “radicals” Charles Darwin and John Stuart Mill, had previously
         written an anonymous guide to contraception (which led to his temporary
         dismissal from the university) and a work on the tenacity of frogs (Uber die
         Erstickung und Wieder erweckung des isolierten Froschherzens, 1887). In his
         free time, sailing on the east and west coasts of Sweden, Ohrwall con¬
         cocted Om Knutar (About Knots), which appeared in 1908. Combining
         scholarship with common sense, the book was later hailed as a trailblazer
         by the major American knot authors, Ashley and Day.

            The first edition was illustrated (an important point this, when it comes
         to communicate a knot) with the author’s photographs of knots. These he
         suspended on glass in order to eliminate backdrop shadows which would
         tend to confuse. The photographs were rather small, though, and the sec¬
         ond edition (1916) was illustrated with ink line drawings by Ohrwall’s
         daughter Elli. In Sweden, the book has recently been reissued so there may
         someday be an English translation.
            Clifford Warren Ashley (1881-1947), who was born in New Bedford,
         Massachusetts, and trained with Howard Pyle, was primarily a marine artist
         but is best remembered for his heavyweight Ashley’s Book of Knots (New
         York, 1944). Illustrated with his own charming if sometimes difficult to
         follow drawings, the work ranges over a vast area and is the most compre¬

         hensive knot book we are likely to see for a century or two. Some of Ash¬
         ley’s knots are shown in the context of their proper use, another
         achievement.


                                       IN LIEU OF BIBLIOGRAPHY
   98   99   100   101   102   103   104   105   106   107   108