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by Chuck Williams


                       The Friends Cultural Resource Team received the prestigious ‘Making a Di erence on

                       Public Lands’ Award from the Bureau of Land Management in recognition of their
                       ongoing e orts to document and preserve the cultural and historical
                                       treasures at Red Rock Canyon. The team was presented with the only group

                                    award with nominations received from across the country.

                                           Since the committee was reformed in 2001, the thirty one members of the
                                      Friends Cultural Resources Team have volunteered over 7,900 hours and

                                        completed  documentation of 18 sites. Their work includes monitoring
                                             and recording pre-historic archaeological sites, including Native
                                             American roasting pits, rock shelters and rock art locations and
                                             historic archaeological sites, such as the Old Spanish Trail.


                                                 The recording process begins with mapping the area to be
                                                    documented. These areas are identi ed by a unique
                                                    Smithsonian  Institute site number. For example, the red
                                                    hand-prints at Willow Spring have a site number of

                                                    26Ck486. Committee members then measure each panel,
                                                    providing GPS location, artifact location  (boulder, cli  face,
                                                    etc.), slope of the work  surface, type of rock  (sandstone,

                                                       limestone, etc.), Petroglyph (chipped into the rock
                                                         surface) or Pictograph (painted), panel orientation,
                                                            destructive agents and other details. As a
                                                                   prelude to the time spent in the  eld, the team has
                                                              completed extensive training o ered  by the Nevada

                                                             Rock Art Foundation.
                                                                 The  eld work is just a portion of the
                                                                  documentation process. When the location has

                       been                                       documented and veri ed on-site, the
                                                                   photos and the drawn-to-scale  eld pages
                                                                   are turned over to the Inking Committee
                                                                      headed by Martha Burk. The inking team,
                                                                      working with archival papers, inks  and

                                                                         light boxes, begin the labor
                                                                               intensive process of transferring the  eld
                                                                          (continued on page 10)
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