Page 36 - 2020 SoM Journal Vol 73 No 1 FINAL_Neat
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28                           The Society of Malawi Journal

                  While others were just eating.
                  Uncle you hid money in the bank,
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                  While your people are dying of hunger.

           And little more than a year later, without any sense of deference to Bakili Muluzi,
           the newly elected President, Lucius Banda was again tapping into the same “Sole”
           lyrical praxis:

                  Yesterday, and the other day, we’re being killed.
                  Today we are being cheated.
                  What can we do since it is the same people?
                  They’ve only changed ways of torturing us.
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                  They have their own ways.

           In a new era of multiparty democracy, such lyrics seem to have touched a not
           unexpected cord within the populace, as without a doubt Lucius Banda’s intent
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           was “to inform … audiences of the realities of life in Malawi” through his songs.
                  This new stridency expressed in the popular music sphere seems to have
           spread far more widely. A song offered by a women’s dance troupe from Malawi’s
           Northern Region - taunting the government of Bakili Muluzi himself as he later
           campaigned for re-election - illustrates the extent of the form. The dancers sought
           to  express  directly  the  troubles  they  were  facing  by  focusing  their  lyrics  in  a
           similar fashion:

                  We are suffering, the government is watching, we are suffering
                  We are suffering, people are watching
                  People are watching
                  We are suffering, yes, the government is watching
                  We are suffering though the government is ours
                  They are being arrested, the government is watching
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                  The government is watching

           Although a shift in the political winds was clearly evident, all the while the same
           lyrical tradition prevailed, though if anything becoming harsher still in describing
           conditions faced by many of Malawi’s citizens.

           28  Song recorded by Ruben M. Chirambo, “Mzimu wa soldier,” 107.
           29  Song recorded by Harri Enguld, ed., “Democracy of Chameleons,” 3.
           30  Aaron Lewis Rosenberg, Eastern African Popular Songs: Verbal Art in States
           of Transformation (Trenton, NJ: Africa World Press, 2011): 231.
           31  Song recorded by Lisa Gilman, The Dance of Politics: Gender, Performance,
           and Democratization in Malawi (Philadelphia: Temple University Press, 2009):
           160-61.
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