Page 38 - 2020 SoM Journal Vol 73 No 1 FINAL_Neat
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30                           The Society of Malawi Journal

           between the Malawian military and the “roles of the Nyau society in warfare,
           resistance to foreigners, and continuity of customs” among the Chewa, Malawi’s
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           largest ethnic group.
                  Even as recently as early 2019, Lucius Banda - hardly a year after his
           hard-hitting political lyric opposing President Peter Mutharika - again confirmed
           his  place  in  the  asilikali  tradition.  But  now,  with  the  spoken  words  of  the
           President’s  memorial  address  beginning  his  recorded  performance,  Lucius
           Banda’s tribute to Malawi’s fallen peacekeepers, “Moyo wa Msilikali,” received
           wide acclaim. Dedicated “to our soldiers our heroes,” the opening lyrics mention
           several of them by name:

                  November 2017.
                  He didn’t come back, [name] didn’t come back, didn’t come back
                  November 2018
                  He didn’t come back, [name] didn’t come back, didn’t come back
                  He didn’t come back, didn’t come back, didn’t come back
                  My brother didn’t come back

           Continuing  in  his  inimitable  style—yet  deviating  from  the  marching  cadence
           Malawian asilikali favoured when singing of their “troubles,” - Lucius Banda’s
           verses nonetheless matched the spirit of previous “Sole” lyrics:

                  A soldier’s life
                  A life of bravery
                  He sacrifices his life
                  To protect a civilian
                  He puts his life in danger
                  To defend that of his colleague
                  A soldier has love for us
                  Do you know?
                  He goes on a journey
                  Not knowing whether he will come back.
                  These people die for us

           Perhaps  only  instinctively,  Lucius  Banda  uses  almost  exactly  the  same  words
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           voiced in an asilikali lyrical lament a century before!  Then he continues his song
           of homage:


           35  Birch de Aguilar, Inscribing the Mask, 64; also see Melvin E. Page, “The Great
           War and Chewa Society in Malawi,” Journal of Southern African Studies 6(1980):
           esp. 176-80.
           36  See note 16: “On this journey I did not know
                                     That I could die in this war”
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