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25 November 2021

               Radieuse Petite Renarde




               Rusée au Théâtre des




               Champs-Elysées



               By José Pons

               The City of Birmingham Symphony Orchestra and its Music Director Mirga
               Gražinytė-Tyla, as part of a European concert tour of the book, make a
               happy stop at the Théâtre des Champs-Elysées with "The Cunning Little
               Fox" by Leoš Janáček and a high-flying vocal distribution.


               This "concertante" version of The Cunning Little Fox, lyrical work of relatively short
               fact (about 1h40) benefits from a narrative space smoothly conducted, in the
               absence of staging. Both adults and children actively participate in a performance
               where charm operates permanently. The costumes tinged with poetry, the delicious
               hats of fantasy and the few accessories - branches of trees animated by the children
               who transform themselves successively into chickens, amphibians and other
               facetious pups - are enough to create a specific atmosphere that comes to illuminate

               a work in itself quite dark, with this tragic confrontation between humans and
               animals. Under the precise baton of its Musical Director since 2016 the
               Lithuanian Mirga Gražinytė-Tylathe City of Birmingham Symphony
               Orchestra reveals its strengths: coherence and generosity of the desks, permanent
               search for shade and color, the most accurate accents. The most accomplished part
               of the conductor's reading is undeniably, not during the strictly orchestral parts of

               the score, where Mirga Gražinytė-Tyla tends to focus primarily on maintaining a
               certain rhythmic rigor, but rather during the vocal parts. She then seems to free
               herself, warmer in terms of expression and lyricism itself. Janacek's music then
               regains all its fullness, its joyful and non-formal simplicity.
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