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THE NEXT DAY AT THE GALLERY IN ORANIENBURG STRASSE

25th of FEBRUARY, 2019

Mitchel says out loud, with a voice that clearly reveals that he is upset. "We will

have to pass on this information immediately, it will not work" In his hand he
holds a stack of yellowed papers which he has just taken out of a thick brown

folder of stiff cardboard. "I do not understand anything, are these people really

old Nazis or what?" He continues angrily. "Look, there are Nazi stamps on all the
documents, then maybe that's why they did not want to rent out, and maybe

that's why Ursula did not want to talk about this filth" Even though light pene-
trates from the four small ceiling windows, it is still the yellowish lighting from

the old lamps that dominates. "Mitchel, Relax it's apparently Hinterglaub who

made this archive. Let's examine it before we draw hasty conclusions, remember
that the man has been sentenced to death for treason" “Mitchel. "Yes, but how

can this Nazi scoundrel have come in here, I do not understand" Look here she

says and starts reading aloud from the document she is holding in her hands
.Mitchel moves over next to her and looks over her shoulder August 3, 1938 Se-

ries number 265. Painting - arrived in Munich by train later from Rotterdam. Re-

ceived in Augsburg in the secret bunker at 14.00. Artist: Erik Schiller. Name of
the work: the white dog. Repackaged and ready for dispatch to the art museum

in Linz .Planned on 15.9 .1938 Uno Hinterglaub. "Bunker" Karin says to herself as

if to taste the word Mitchel shakes her head and says "This is getting more and
more mysterious" "Look here, maybe there is an explanation" Karin takes a small

pile of envelopes from the bottom of the filing cabinet. A string of coarse yarn is
tied around them. "Maybe we are so lucky that there are letters inside them" She