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(b)     Have students create functional or decorative pieces with one or a combination of two
                              techniques.

                      (c)     Facilitate  students  visit  to  studios,  galleries,  museums,  historical  and  archaeological
                              sites, craft  shops,  shopping  malls  and  factories to  observe  the  techniques, processes,
                              materials and tools used for fibre and decorative crafts then have them complete any of
                              the following:

                              (i)    solicit responses to questions on a pre-prepared teacher developed worksheet,
                                     survey  instrument  and/or  questionnaire  developed  in  collaboration  with  the
                                     students;

                              (ii)   write a reflection of the experience;

                              (iii)   interview an artesian;

                              (iv)   create sketches;

                              (v)    document the experience; and,

                              (vi)   analyse and critique select pieces of printed art works.

                      (d)     During the art-making process have students create a journal entry in which they reflect
                              on  their  personal creative  process. Students  should  be  encouraged  to  document  their
                              experiences throughout  the  art  making  journey,  including  any  artistic  or  expressive
                              influences, what they did, what happened and what they would do differently next time
                              (see Appendix III for further details).

               32.     When asked about the School-Based Assessment (SBA) component of the Syllabus, 80 per cent
               of the teachers who responded to the online survey agreed that the School-Based Assessment should
               remain as it is in the current syllabus; while the remaining 20 per cent noted that the requirements should
               be changed.  With respect to the SBA requirements, the respondents suggested the following changes.

                       (a)    CXC® should return to using the Alternative Syllabus A or B because not all students have
                              the required skills and competencies to prepare the Reflective Journal.

                       (b)    The SBA should include a theoretical aspect that is aligned to the Expressive Form that
                              candidates have selected.  For example, if a student chooses to create a Charcoal piece
                              the SBA should require submission of:

                              (i)    the actual piece of artwork created; and,

                              (ii)   a written piece; which may be a critique or teacher test.  The written piece should
                                     be a mandatory entry for the reflective journal.

               The Review Committee reviewed the recommendations and noted that the suggestion to revert to the
               Alternative Syllabus which obtained prior to 2009 would have been a retrograde step for the discipline.
               This was on the premise that CXC® was commended by both the industry and the tertiary institutions for
               the bold step to include the Reflective Journal as a part of the examination.  The Committee also noted
               that the suggestions to include a mandatory written piece was already addressed through the Reflective
               Journal.  The members of the Committee noted however, that the requirements of the Reflective Journal



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