Page 239 - Chinese SIlver By Adrien Von Ferscht
P. 239

DA FU [TAI FOOK]
            Hué, Thừa Thiên–Huế Province, Vietnam [French Indochina]
            circa 1890-1930
























                  A  rare  version  of  the  Da  Fu  mark,  contained  within  a  circle  rather  than  the
                  usual rectangle [right]






            Da  Fu  was  a  Chinese  silversmith  operating  in  Vietnam  and  is  often  mistakenly  catalogued  as  being  Chinese
            Export Silver. Vietnam, at the time, was considered a vassal state of China

            T90 is a silver purity mark used in Vietnam based on the Anglo-Indian “Tola” system of weight used also in
            Cambodia, Singapore, Zanzibar and Aden - 1 Tola = 11.4gmBoxes of all shapes and sizes appear to have been
            the mainstay of this workshop’s output - but always in a provincial Chinese style.















                                                                            Da  Fu  silver  items  are  very
                                                                            distinctive  in  style.  They  almost
                                                                            always  contain  decorative  motifs
                                                                            that  are  contained  within  frames  of
                                                                            tradition borders and almost always
                                                                            there  is  the  contrast  of  finely
                                                                            planished  ground  with  repoussé
                                                                            work  and  adjacent  areas  of  plain
                                                                            polished silver. The framed scenes,
                                                                            whether  figural  or  stylistic,  become
                                                                            as  self-contained  vignettes.  The
                                                                            combination of all the vignettes on a
                                                                            piece form a complete narrative and
                                                                            because  of  this,  each  Da  Fu  piece
                                                                            appears to be visually synchronised
                                                                            and balanced.
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