Page 12 - Multifarious Enamels Chiense Art.pdf
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A HUNDRED BLESSINGS:

         AN IMPERIAL QIANLONG ‘HUNDRED DEER’ VASE

         Rosemary Scott,
         Senior International Academic Consultant Asian Art,
         Asian Art


























         This magnificent vase belongs to a very small group of imperial   Ⅾ⎰ڋ㹏䣀
         Qianlong ‘hundred deer’ vases, which are of exceptional quality
         and have blue-enamelled archaistic dragon handles highlighted  ᪹̖㡲   ⌘⣐᧴ྐⳇ⡩Ⅾ㶏ബ
         in yellow enamel.  Both the Beijing Palace Museum and the Taipei
                                                                  ⳹ἯῚ
         National Palace Museum have examples of these blue-handle   ㇔᪨४㢄ೀ⻒㧣ࠑǎ̯ᨕⳔ⻒㒴
         ‘hundred deer’ vases in their collections. The pair of blue-handled
         deer vases in the collection of the National Palace Museum, Taipei,   㐝ͬ⚁଻ω⁅൲ᑞˏറᇟ̖㡲ྼ⽖Ⅾ㶏ബ䢲Ւѷ๼
         was included in the exhibition Stunning Decorative Porcelains
                                                                  ᳦᜴★᫺䢲˞㨫ⳇྐ⹁⡩䢲˩⛊㷌ྐǐ٫̺ݸ܀
         from the Ch’ien-lung ReignǗ⬹㶦ྐ⁅ – ̖㡲᧴ྐǘ, held in Taipei
         in 2008 and was illustrated in the exhibition catalogue on pages   ٫ᐅ೫Ὂⳉˮ䢲঑ᕖ㐝ᢍⳇ⡩Ⅾ㶏ബǐ܀٫ᕍᑞ
         156-8, exhibit 51 (fig. 1) with further discussion by curator Liao        ໝ⧂⻍Ǘ⬹㶦ྐ⁅䣀̖㡲᧴ྐǘൢ⿪䢲ൢި
         Baoxiu ༩ഡ⏨ on page 25.  An example from the collection of
                                                                  ˮᕖ܀٫ᐅ೫Ὂⳉⅲˏയⳇ⡩Ⅾ㶏ബ䢲で⿉ॱ㙼㦓
         the Palace Museum, Beijing, is illustrated in Feng Xianming   㪑
         Ա㘝 and Geng Baochang  ⡳ഡᒛ (eds.) Selected Porcelain of the         ൢި    ⴽ䢮ॱˏ䢯䢲┈ൢ́༩ഡ⏨⇂㠛ⅲ
         Flourishing Qing Dynasty at the Palace Museum Ǘᐅ೫ښḵ㡗ⳉ    ኾ〝㍭ᑞⓧ    㦓ǐ٫̺ᐅ೫̑ᕖˏͬ㏩Κϡ䢲ॱ
         ᪹↪ˠ⁅㑤☀ǘ, Hong Kong, 1994, p. 279, no. 12.  Another blue-
                                                                  ⿉㪑Ա㘝ݸ⡳ഡᒛܐ⛷ⅲǗᐅ೫ښḵ㡗ⳉ䣀᪹↪ˠ
         handled deer vase, which was probably originally housed either in
         the Fengtian Palace ( ଃ૰೫ , now known as the Shenyang Palace   ⁅㑤☀ǘ㦓     ⛷ⴽ   䢮㪁᫓䣀    䢯ǐ۷ˏϡ
         ᱙㡫ᐅ೫ in Liaoning province) or in the Rehe Palace ( ᶥᦪ⻍೫ ,   ⳇ⡩Ⅾ㶏ബᅠᒶଃ૰೫䢮͎㑨ഔ᱙㡫ᐅ೫䢯ᆘᶥᦪ
         now known as the Chengde Summer Palace  ᇥ࿍㑫ᓿ൶⫦ in
                                                                  ⻍೫䢮͎ᦪ٫ᇥ࿍㑫ᓿ൶⫦䢯̃ḵ䢲ήຄ♅Նڙ̺
         Hebei province),  and is today part of the collection of the Nanjing
         Museum, was included in a joint exhibition with the Art Gallery,   ښḵ㡗Ὂⳉ䢲೉ᕍॼて㡗      ໝ⢌ܔ㪁᫓ˮᐷ૯
         The Chinese University of Hong Kong, Qing Imperial Porcelain of   ೀᐷḵ㩉⧂㏇ⅲǗ᪹͞༑㢪̖೙⒋⁅ࣰǘൢ̼⇂䢲
         the Kangxi, Yongzheng and Qianlong Reigns, 1995, catalogue, no.
                                                                  で⿉ॱ㙼⛷ⴽ   ǐ㤔ࢦਕᐷ༆⟞⻒㩉Ὂⳉˏϡ
         86.  A Qianlong deer vase with blue handles from the collection
                                                                  ̖㡲ⳇ⡩Ⅾ㶏ബ䢲ᬜᑞගෝཽ̃إ⁸Ḍ䢮     ⦰
         assembled by two members of the Iwasaki family – Baron Iwasaki
         Yanosuke ( ගෝཽ̃إ 1851-1908) and Baron Iwasaki Koyata ( ග       ໝ䢯⧀ගෝറཽ૱⁸Ḍ䢮     ⦰      ໝ䢯


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