Page 182 - 2021 March 15th Fine Chinese Paintings and Works of Art, Bonhams NYC New York

PROPERTY FROM THE COLLECTION OF MICHAEL GALLIS
207
TAO TAO (1825-1900)
Saying Farewell, 1886
Hanging scroll, ink and color on paper, inscribed by the artist, dated bingxu er
yue, with two artist’s seals reading Tao Tao and Yisun.
56 3/8 x 15 1/4in (143.1 x 38.7cm)
$2,000 - 3,000

陶燾 山水送別圖 設色紙本 立軸 一八八六年作

Provenance
Bonhams New York, 15 September 2014, lot 8160
Collection of Reverend Richard Fabian
Far East Fine Arts, San Francisco, California, February 1985

Published
Julia F. Andrews, et al, Between the Thunder and the Rain: Chinese Paintings
from the Opium War through the Cultural Revolution, 1840-1979, Asian Art
Museum of San Francisco, San Francisco, 2000. p. 68, no. 25

Exhibited
Wondrous Ink, Kalamazoo Institute of Arts, Kalamazoo, MI, August
28-December 5, 2010

Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee
Center for Asian Art and Culture, San Francisco, CA, October 25, 2000-January
14, 2001

來源
邦瀚斯紐約，2014年9月15日，拍品編號8160
費立哲牧師珍藏
遠東藝術畫廊，舊金山，1985年2月

出版
安雅蘭等著，《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪
畫》，亞洲藝術博物館，舊金山，加州，2000年，頁68, 圖錄25

展覽
《水墨神韻》，卡拉馬祖藝術學院，卡拉馬祖，密歇根州，2010年8月28日至
12月5日
《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術
博物館李鐘文亞洲藝術文化中心，舊金山，加州，2000年10月25日至2001年
1月14日
PROPERTY FROM THE COLLECTION OF MICHAEL GALLIS
208
GU LINSHI (1865-1930)
Landscape after Qian Weicheng, 1892
Hanging scroll, ink and light color on paper, inscribed by the artist and dated
renchen and signed Xijin Gu Linshi, followed by two artist’s seals Gu Xijin and
Wanhe caotang.
56 5/16 x 30 3/4in (143 x 78.1cm)
$9,000 - 12,000

顧麟士 楚山秋曉 設色紙本 立軸 一八九二年作

Published
Gallis, Michael and Ma Xinle, Michael Gallis Collection of Chinese Paintings
Maike Gailesi Zhongguo hua shoucang: yige Xifang xuezhe de Zhonghua
wenhua zhilü, Tianjin Renmin Meishu Chubanshe, 2019, pp.184-185

出版
馬欣樂主編，《邁克·蓋勒斯中國畫收藏：一個西方學者的中華文化之旅》，天
津人民美術出版社，2019年，頁184-185

Gu Linshi was the grandson of the great Suzhou literatus Gu Wenbin (1811-
207 1889). Gu Linshi inherited his grandfather’s collection of paintings Guoyunlou
過雲樓 and relocated the collection to Shanghai to the Yiyuan garden. He took
a scholarly approach to the collection, publishing Notes on Paintings from the
Gu Yun Pavilion《過雲樓書畫記》. With an important collection of paintings
at an arms length, Gu Linshi became fluent in applying the methods of various
traditional masters of Chinese paintings, frequently adopting the styles of the
180 | BONHAMS Four Wangs and Wu School painters.