Page 184 - 2021 March 15th Fine Chinese Paintings and Works of Art, Bonhams NYC New York
P. 184

PROPERTY FROM THE COLLECTION OF MICHAEL GALLIS
           210                                               來源
           QI BAISHI (1864-1957)                             舊金山遠東藝術畫廊 1980年4月
           Shrimp and Reeds
           Hanging scroll, ink on paper, signed Bin’gong with one artist’s seal   出版
           reading Jieshanlaoren.                            馬欣樂主編,《邁克·蓋勒斯中國畫收藏:一個西方學者的中華文化之
           11 1/2 x 16 1/2in (29.2 x 42cm)                   旅》,天津人民美術出版社,2019年,頁168-169

           $15,000 - 25,000                                  Erickson, Britta, Craig L. Yee, Jung Ying Tsao, and Jung May Lee
                                                             Barrett, Modern Ink: The Art of Qi Baishi, Berkeley,The Mozhai
                                                             Foundation, 2014年, 圖版34
           齊白石 蘆葦蝦趣圖 水墨紙本 立軸
                                                             曹仲英, The Paintings of Xugu and Qi Baishi, University of Washington
           Provenance                                        Press, 1993年, 頁252-254
           Far East Fine Arts, San Francisco, California, April 1980
                                                             展覽
           Published                                         The Carved Brush, Calligraphy Painting and Seal Carving By Qi Baishi,
           Gallis, Michael and Ma Xinle, Maike Gailesi Zhongguo hua shoucang:   亞洲博物館李鐘文眼周藝術文化中心,舊金山,加州,2013年10月29
           yige Xifang xuezhe de Zhonghua wenhua zhilü, Tianjin Renmin Meishu   日-2014年7月13日
           Chubanshe, 2019, pp.168-169
                                                             An early work in the long career of Qi Baishi, the painting is signed
           Erickson, Britta, Craig L. Yee, Jung Ying Tsao, and Jung May Lee   Bingong, a hao the artist began using after 1906. Simply executed
           Barrett, Modern Ink: The Art of Qi Baishi, Berkeley: The Mozhai   with an economy of brushstrokes, Qi Baishi describes a small shrimp,
           Foundation, 2014, plate 34                        here accompanied by arching reeds. It is a subject that Qi Baishi
                                                             would return to repeatedly over the decades that followed, at times
           Tsao Jung Ying, The Paintings of Xugu and Qi Baishi, University of   composing large groups of crustaceans, whose legs and antennae
           Washington Press, 1993, pp. 252-254               cross and overlap symphonically. Always rendered solely in ink, Qi
                                                             Baishi’s compositions of shrimp became one of his best known
           Exhibited                                         subjects in later years. The present painting offers rare glimpse at the
           The Carved Brush, Calligraphy Painting and Seal Carving By Qi Baishi,   artist’s initial approach.
           Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture,
           San Francisco, CA, October 29, 2013-July 13, 2014


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