Page 355 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 355

•  cuprous chloride (nantokite)      •  tin-oxide patina
                •  sound copper metal                •  lead carbonate  (cerrusite)
                •  basic copper carbonates           •  sound bronze metal
                   (malachite, azurite)              EH  malachite, massive and fibrous
                I  1 cuprite, with larger crystals   O  cuprite
                   below "marker layer"              •  eutectoid remnants in corrosion




        F I G U R E  11. 3  Schematic diagram comparing the  conventional type of corrosion pustule containing chloride corrosion
        with the  pustule observed  on  the  Togati bronze shown in  F I G U R E S  11.1  and  11.2 .



        dioxide readily available but had no corrosion due to chloride ions. In this scenario,  the corro­
        sion products  and pustules  should show no evidence of chloride corrosion, nor should the pus­
        tules be associated with cuprous chloride. This hypothesis was, in fact, confirmed by Geilmann's
        analytical and microstructural studies. This corrosion environment was not deficient in carbon
        dioxide, as seen from  the extensive malachite deposits on the surface  of the bronzes, the conver­
        sion of the lead globules in the alloy to lead carbonates, and the presence of azurite crystals on
        the Nike and the  Ceres bronzes. In the  case of the Ceres, azurite can be seen growing on indi­
        vidual malachite fibers  as tiny deep blue compact crystals. The outer  surfaces of the corrosion
        pustule on the Togati are  also malachite rather than basic copper chlorides. This kind of warty
        corrosion on all four of the bronzes  studied is a strong argument that all of them were buried in
        the same environment. Unlike warty corrosion associated with chloride ions, the kind  seen on
        the  surface  of these four Roman bronzes  is chemically stable  under  storage or exhibition con­
        ditions. Such objects  do not require especially strict humidity control. The Roman bronzes  had
        been kept in a special case with the humidity regulated to below 40%, but since there is no chlo­
        ride instability in the corrosion, such  measures were unnecessary. During conservation  treat­
        ment, there is no need to remove warty corrosion unless it is justified  for aesthetic reasons.








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