Page 136 - TMS Art Collection

22 Si veda The Getty Provenance Index Databases. 22 See: The Getty Provenance Index Databases.
23 Fernando Yañez de Almedina, Sacra famiglia, 1523, altezza massima 36.5 cm, ultima 23 Fernando Yañez de Almedina, The Holy Family, 1523, maximum height 36.5 cm, last
collocazione nota Carlos Grether Collection, Buenos Aires (Argentina). Cfr. POST, 1953, known whereabouts: Carlos Grether Collection, Buenos Aires (Argentina). See: POST,
pp. 241-244, fig. 90; LOS HERMANOS, VALENCIA 1998, pp. 144-147; KEMP-WELLS, 2011, pp. 1953, pp. 241-244, fig. 90; LOS HERMANOS, VALENCIA 1998, pp. 144-147; KEMP-WELLS, 2011,
194, 196-197, 206, fig. 86; WELLS, 2014, pp. 112-113, fig. 24. pp. 194, 196-197, 206, fig. 86; WELLS, 2014, pp. 112-113, fig. 24.
24 Fernando Yañez de Almedina, Madonna dei fusi, c. 1510-1520, olio su tavola entro una 24 Fernando Yañez de Almedina, Madonna of the Yarnwinder, c. 1510-1520, oil on panel
cornice di tabernacolo, 36.2 x 28.5 cm, Spain, Museo de Bellas Artes. Per ulteriori in- within a tabernacle frame, 36.2 x 28.5 cm, Spain, Museo de Bellas Artes. For more in-
formazioni si veda LOS HERMANOS, VALENCIA 1998, pp. 144-147, n. 21; SOTHEBY’S, 2007, formation see: LOS HERMANOS, VALENCIA 1998, pp. 144-147, no. 21; SOTHEBY’S, 2007, Lot
Lot 183 (Price Realized: £ 144.000); KEMP-WELLS, 2011, pp. 206-207, fig. 110 (didascalia 183 (Price realized: £ 144.000); KEMP-WELLS, 2011, pp. 206-207, fig. 110 (caption of fig.
di fig. 109); WELLS, 2014, pp. 112-113, fig. 23. 109); WELLS, 2014, pp. 112-113, fig. 23.
25 Fernando Yañez de Almedina, Madonna dei fusi, prima metà del XVI secolo, olio 25 Fernando Yañez de Almedina, Madonna of the Yarnwinder, first half of 16 Century, oil
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su tavola, 58 x 46 cm, Murcia, Museo de Bellas Artes deposito del Museo del Prado di on panel, 58 x 46 cm, Murcia, Museo de Bellas Artes deposito del Museo Nacional del
Madrid (cat. n. 3081). Si veda RUÍZ MANERO, 1992, p. 21, fig. 3; LOS HERMANOS, VALENCIA Prado di Madrid (cat. no. 3081). See: RUÍZ MANERO, 1992, p. 21, fig. 3; LOS HERMANOS,
1998, pp. 144-147, n. 21; KEMP-WELLS, 2011, pp. 206-207, fig. 109 (didascalia della fig. 110); VALENCIA 1998, pp. 144-147, no. 21; KEMP-WELLS, 2011, pp. 206-207, fig. 109 (caption of
WELLS, 2014, p. 111, fig. 22. fig. 110); WELLS, 2014, p. 111, fig. 22.
26 Fernando Yañez de Almedina, Madonna con Bambino e San Giovannino, c. 1505, olio 26 Fernando Yañez de Almedina, Madonna with Child and St. John the Baptist, c.
e tempera su tavola, 78.4x 64.1 cm, Washington, National Gallery of Art, Samuel Kress 1505, oil and tempera on panel, 78.4x 64.1 cm, Washington, National Gallery of
Collection. L’opera è stata oggetto di un intervento di pulizia e restauro nel 1938-1939 Art, Samuel Kress Collection. The work was subject to cleaning and restoration in
ad opera di Stephen Pichetto. Il dipinto si presenta in buone condizioni, con piccole 1938-1939 by Stephen Pichetto. The painting is in good condition, with only slight
cadute di colore solo nelle estremità – superiore e inferiore – della tavola. Un piccolo loss of colour at the extremities – top and bottom – of the panel. A small triangular
inserto triangolare completa l’angolo inferiore destro venuto a mancare in un momento insertion has been added at the bottom right corner, lost at some unknown moment
non meglio precisabile. Bibliografia di riferimento: PRELIMINARY CATALOGUE, 1941, p. in time. Bibliografical reference: PRELIMINARY CATALOGUE, 1941, p. 186; BOOK OF IL-
186; BOOK OF ILLUSTRATIONS, WASHINGTON 1942, p. 248, ill. 190; KRESS COLLECTION LUSTRATIONS, WASHINGTON 1942, p. 248, ill. 190; KRESS COLLECTION PAINTINGS AND
PAINTINGS AND SCULPTURE, 1945 (reprinted 1947, 1949), p. 115; KRESS COLLECTION SCULPTURE, 1945 (reprinted 1947, 1949), p. 115; KRESS COLLECTION PAINTINGS AND
PAINTINGS AND SCULPTURE, 1959, p. 86, n. 416; SUMMARY CATALOGUE OF EUROPEAN SCULPTURE, 1959, p. 86, no. 416; SUMMARY CATALOGUE OF EUROPEAN PAINTINGS, 1965,
PAINTINGS, 1965, p. 124; BERENSON, 1968, vol. I, p. 409; EUROPEAN PAINTINGS, 1968, p. 124; BERENSON, 1968, vol. I, p. 409; EUROPEAN PAINTINGS, 1968, p. 110; SHAPLEY,
p. 110; SHAPLEY, 1968, p. 144, fig. 354; FREDERICKSEN-ZERI, 1972, pp. 189, 337, 646; 1968, p. 144, fig. 354; FREDERICKSEN-ZERI, 1972, pp. 189, 337, 646; EUROPEAN PAINT-
EUROPEAN PAINTINGS, 1975, p. 330; HAYUM, 1976, p. 276; SHAPLEY, 1979, vol. I, pp. INGS, 1975, p. 330; HAYUM, 1976, p. 276; SHAPLEY, 1979, vol. I, pp. 184-185, vol. II, pl.
184-185, vol. II, tav. 128 e 128A; TRUTTY-COOHILL, 1982, pp. 279-285; LEONARDO E 128 and 128A; TRUTTY-COOHILL, 1982, pp. 279-285; LEONARDO E IL LEONARDISMO,
IL LEONARDISMO, NAPOLI 1983 E ROMA 1984, p. 65, n. 60; DALLI REGOLI, 1984, pp. 12, NAPOLI 1983 E ROMA 1984, p. 65, no. 60; DALLI REGOLI, 1984, pp. 12, 39, fig. 28;
39, fig. 28; WALKER, 1984, p. 219, n. 272; EUROPEAN PAINTINGS, 1985, p. 377; MARANI, WALKER, 1984, p. 219, no. 272; EUROPEAN PAINTINGS, 1985, p. 377; MARANI, 1987, pp.
1987, pp. 120, 123; BROWN-MANN, 1990, pp. 129-133, tav. 131; KEMP-WELLS, 2011, pp. 120, 123; BROWN-MANN, 1990, pp. 129-133, pl. 131; KEMP-WELLS, 2011, pp. 194, 197,
194, 197, 206, fig. 87. 206, fig. 87.
27 Luis de Morales, Madonna dei fusi, anni Sessanta del Cinquecento, olio su tela, 49 x 27 Luis de Morales, Madonna of the Yarnwinder, c. 1560-1569, oil on canvas, 49 x 33
33 cm, Berlino, Gemäldegalerie, Staatliche Museen zu Berlin. Cfr. KEMP-WELLS, 2011, cm, Berlin, Gemäldegalerie, Staatliche Museen zu Berlin. See: KEMP-WELLS, 2011,
pp. 206, 208, fig. 113. pp. 206, 208, fig. 113.
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28 Luis de Morales, Madonna dei fusi, terzo quarto del XVI secolo, olio su tavola, 72 x 28 Luis de Morales, Madonna of the Yarnwinder, third quarter 16 Century, oil on panel,
52 cm, San Pietroburgo, The State Hermitage Museum. Si veda KEMP-WELLS, 2011, pp. 72 x 52 cm, St. Petersburg, The State Hermitage Museum. See: KEMP-WELLS, 2011, pp.
206, 208, fig. 112. 206, 208, fig. 112.
29 Luis de Morales, Madonna dei fusi, anni Sessanta del Cinquecento, Madrid, Palacio 29 Luis de Morales, Madonna of the Yarnwinder, c. 1560-1569, Madrid, Palacio Real. See:
Real. Si veda KEMP-WELLS, 2011, pp. 206, 208, fig. 111. KEMP-WELLS, 2011, pp. 206, 208, fig. 111.
30 Luis de Morales, Madonna dei fusi, anni Sessanta del Cinquecento, tecnica mista su 30 Luis de Morales, Madonna of the Yarnwinder, c. 1560-1569, mixed technique on panel,
tavola, 72.5 x 48.5 cm, New York, Hispanic Society of America. Cfr. KEMP-WELLS, 2011, 72.5 x 48.5 cm, New York, Hispanic Society of America. See: KEMP-WELLS, 2011, pp. 206,
pp. 206, 208, fig. 114. 208, fig. 114.

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