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Calvert has shifted the menu to portray his   restaurant on the quieter end of Hollywood   BLANK SLATE
                  own point of view. Expect refined takes on   Road. Each course is inspired by a significant   Okra Bar’s pristine
                  French favourites (the pigeon pithivier is   ingredient or memory, from the flavour   setting allows food
                  ethereal), and stay open-minded about the   of Chiu Chow marinade to the scent of   to shine; Ta Vie’s
                  esoteric and distinctly un-French creations   osmanthus. The lyrical quality of Lau’s food is   plating is always a
                                                                                                     feast for the eyes
                  such as the merguez sausage sandwich with   neatly matched by the picture-perfect setting
                  salsa verde.                              that betrays her past as a graphic designer;
                     Another chef who has carved his own    the dishes are each self-contained pieces of
                  style of cuisine with classical training is   art, rendered in brilliant hues, shapes and
                  Hideaki Sato of Ta Vie (page 80), who has   textures.
                  successfully parlayed his understanding of   From one Vicky to another, we arrive at
                  French and Japanese techniques into dishes   VEA (page 80), Vicky Cheng and Antonio
                  that are visually stunning and highly original.   Lai’s bijou Central restaurant, where the tiny
                  Sato is the kind of chef who will readily nerd   details (the velveteen rest pad to keep your
                  out when it comes to the ingredients at his   mobile phone from sliding off the marble
                  disposal—each item on the plate tasting   tabletop, for example) and the overarching
                  distinct and somehow more than itself. He’s   storyline of the food combine to become
                  also a fan of using creative techniques to   more than the sum of their parts. Staunchly
                  fashion culinary surprises, such as combining   proud of his Hong Kong and Shanghainese
                  flour, water and squid ink to create realistic-  heritage, Cheng’s menu is filled with thrilling
                  looking abalone shells. The enthusiasm for   spins on tradition, from the superlative
                  produce, both local and foreign, translates   roasted sea cucumber with langoustine
                  into dishes that truly speak of the season—  and cordyceps to a beautifully cooked local
                  and in turn speak to us.                  yellow chicken paired with Chinese cabbage,
                     When it comes to the language of food,   scallions and Iberico lardo.
                  Vicky Lau’s fluency in the art manifests in   Another new addition to the Top 20
                  a menu she calls “All the Odes”—a serious   list this year is just one street away but,
                  tasting menu at Tate (page 80), her split-level   gastronomically speaking, worlds apart.






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