Page 51 - ATT DEI Annual Report
P. 51

Truly a Hollywood Story!













            D     arrin Dortch knows a thing or two about   bank back in St. Louis. It’s about a struggling
                                                           recent college graduate who is trying to build a
                  how to tell a great story. As a kid growing
                  up in St. Louis, he was obsessed with “adult”   respectable banking career but gets stuck working
            movies like “Halloween,” “Taxi Driver,” and “The   as a teller at a ratchet neighborhood bank in the
            Silence of the Lambs.” Fascinated by their dark   most dangerous part of town. “The jokes pretty                                             THAT MEETING CAME
            characters and twisting plots, he dreamed of   much write themselves,” he says.                                                       “                                                                               Intro     Employees      Communities     Customers     Content     Suppliers     Awards
            someday writing his own scary stories and turning
            them into blockbuster movies.                  Dortch submitted “Short Changed” as part of his                                               WITH NO GUARANTEES,
                                                           application to the American Black Film Festival’s
            It’s a dream he’s relentlessly pursued his whole life.   (ABFF) writing competition. Launched in partnership                                 BUT IT WAS JUST THE
            After graduating with a degree in film production   with Turner, the competition shines a spotlight on
            from Webster University, Dortch worked odd     diverse writers in comedy and drama writing.                                                  OPPORTUNITY DORTCH
            jobs and saved up enough money to move to Los
            Angeles in 2008. But making it in L.A. is tough, even   Dortch’s script won, securing him a cash prize,
            for the most industrious of Hollywood dreamers.   a trip to the film festival in Miami and the                                               NEEDED TO LAND HIS
                                                           opportunity to sit down with Turner executives.   Darrin Dortch
            Dortch’s first gig in the movie industry was in post-  That meeting came with no guarantees, but it was   Story Editor, “Claws” TNT,         FIRST GIG AS A STAFF
            production. “In that field alone, there just aren’t   just the opportunity Dortch needed to land his first   Warner Horizon Television Inc.
            a lot of black people working in the business,” he   gig as a staff writer on the hit TNT series “Claws.”                                    WRITER ON THE HIT
            says. “I would say one of the biggest challenges [of
            being a person of color in Hollywood] is working in   Dortch says his first day in that writer’s room was                                                                                                           51
            a field where there aren’t a lot of people that look   a dream come true. It was also a little intimidating.                                 TNT SERIES “CLAWS.”
            like me.”                                      But when his boss noticed that he was a bit quiet,
                                                           she encouraged him to get out of his shell and not
            Despite the lack of representation around him,   to hold back.
            Dortch never abandoned his dream. “I don’t really
            know what I’d be doing if I didn’t write,” he says. And   “So I was pitching things that first day, and some                                                                                                          AT&T D&I Annual Report 2019
            so he wrote and wrote, generating over 20 scripts   outrageous things too. It was a very fun first day,
            for feature films, short films and TV pilots.  and it’s been like that ever since,” he says. “I’ve
                                                           had a great experience [working with Warner].
            One of those pilots, “Short Changed,” was loosely   Obviously, they took a chance on me. They’ve
            based on Dortch’s time working at a small      been very open-minded.”
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