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same exemplar of Apis mellifica, varies stadistically between an A of 440 cycles per second and
               an E of the same octave of 330 cycles per second; the first tone corresponds to the rested bee –
               at the moment to leave from the hive; the last one, to the tired bee, at the end of its working
               day».  I  perceived  prescisely  those  tones;  I  heard  the  sound  of  wings  at  beating  clearly;  the
               hymenopterans were flying towards me. «The second tone that composes the characteristic
               buzz, is produced by the vibration of the stigmas that guides the air to the pulmonary tracheas:
               it is commonly treated that if a B of 594 cycles per second, appreciably higher pitch than the
               one of the wings, but less intense». I was hearing now the buzz of a bee; the buzz of a swarm;
               the buzz saturated my senses, paralyzed my body, and invaded my mind. The buzz seized from
               the beats of my heart and synchronized them with its frequency! The buzz was killing me!

                      «The third tone, very weak, proceeds from the movement of the abdominal rings»… I’d
               never end to remember the class of the Professor Jacobo Cañás. In the paroxysm of the heart
               crisis, I suffered  a sensation  of insupportable  heat, terrible, as if my  body would  have  been
               thrown  all  of  sudden  to  an  incandescent  oven.  But  no;  during  the  instant  that  the  termic
               convultion lasted, I noticed that the Fire was not outside but inside of me; which impregnated
               my whole body with an aflamed liquid which was decomposed in sizzling gases. And such liquid
               that was buring was my blood.

                      One  instant  lasted  the  calorific  impulse,  which  shuddered  me  at  the  rhythm  of  the
               apirian  buzz,  but  I,  naturally,  believed  to  die:  as  a  last  agonic  vision  I  contemplated  the
               Countenance of Mom, Katalina, of my cousins, and many other unkown relatives until then but
               whose  kinship  was  clear.  But  all  the  other  countenances  were  similar  to  each  other,  not  in
               virtue of their genetic likeness, but for the common expression that they manifested, probably
               identical the one that I had in that instant: all were agonic countenances, countenances of
               human  beings  that  were  dying  in  the  midst  of  a  great  sorrow;  their  expressions
               reproduced the Expression of the Death. And then all ended.






               Chapter III



               In other words, I want to say that then concluded the phenomenon; that is, that the buzz and
               the pressure upon the heart stopped. Little by little the pulse went normalizing and I could
               move at will. Still stunned, I reacted and reincorporated at remembering Uncle Kurt: I feared
               the worst.



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