Page 118 - The Art of Learning by Josh Waitzkin_Neat plip book
P. 118

This  is  an  overstated  example  of  mental  progr amming.      What   I  di d  he re  is
                observe and provoke a pattern of action/ reaction  in  my oppo nen t.  He was muc h

                bigger   than   me,   so   probably   entered   the   matchup   wanting    to   impo se   hi s
                power.   I   began   by   barely   pressing   against   hi s   wrist   in   the   starting   po sition.
                Here  he  could  have  just  neutralized  my  pr essur e,  let  it  go ,  but   ins tead  he   he ld
                his  ground,  pushed  back.  I  have  engag ed  his  ego .  He  is  already   set  up.  Next  I

                went  into  the  clinch  with  the  big  guy   and  pus hed   twice  witho ut   any   ambi tion
                to  move  him.  I  just  wanted  to  more  deepl y  inspi re  our   rhy thm   of  da nc e.  He’s
                big,   I’m   small.   When   I   push,   he   pus hes    back.   If   you   thi nk   abo ut    wha t   thi s
                means,  in  that  second  in  which  he    is  respo ndi ng   to  my  sho ul der   pr obe   with

                counterforce,    I   am   supporting   some   of   his   weight .   I’m   becoming   one    of   hi s
                legs.  When  I  backed  out  of  the  clinch  that   first  time,  he  felt  very  go od—he ’s
                gaining  ground,     I’m  unhappy—so  he      thi nks .   I  cont inue   to  ins pi re  hi s  pus h-
                back  mentality  for  a  few  more  moments  and  then   I  retur n  to  the  clinc h.  Thi s

                time,  my  shoulder  pulse  is  very  subt le.  He  do es  not  have  to  make  a  de cision  to
                push back, it just happens reflexively, but  now immediately after my pul se, and
                actually  just  before  his  response  beg ins ,  I  trigger   into  a  thr ow  tha t  is  ent irely
                based  on  his  approaching,    programmed  reaction.      I  empt y  out   my  right   side ,

                which has the effect of removing the leg  he  is jus t starting  to lean  on,  and  I add
                to  his  sliver  of  momentum  with  a  conden sed,     po tent  techni que.   He  hi ts  the
                floor  in  a  blur.  Whenever  these  types   of  moments  happen   in  the  martial  arts,  it
                feels a little magical. He experiences standi ng  and  then  falling  into a bl ack  ho le

                because   our   final   exchange   was   all   very   subt le   and   perhap s   invisibl e   to   hi s
                conscious mind.
                    In   actual   martial   play,   these   types   of   exchanges    are   much    more   refi  d.
                Imagine     the   condensing    process   of   Making   Smaller   Circles   applied   to   the

                observation  and  programming  side  of  thi s  interaction.  What   can  really  ha ppe n
                is  that  our  wrists  meet  and  I  apply  the  tini est  amount   of  pressur e  conc eivabl e.
                My  opponent  holds  his  ground  witho ut   his  cons cious   mind  even  realizing  tha t
                he   has   responded.    He   is   already   set   up   to   be   thr own   with   a   one -two

                combination  because  his  reaction  to  the  one  is  already  predictable.  I  will  move
                before  his  two.  Taking  this  one  step  further,  if  my  first  movement  is  conden sed
                enough,  it  will  hardly  manifest  phy sically  at  all.  My  two  appear s  to  be   a  one .
                At the opponent’s slightest move, I  move   rst.


                                                          *      
   113   114   115   116   117   118   119   120   121   122   123