Page 136 - The Art of Learning by Josh Waitzkin_Neat plip book
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horizontal  files  running  1–8,  up  from  whi te’s  perspect ive.  After  each  move,  a
                chess player will write down,  for exampl e,  Bg4  or Qh5,  meani ng  Bisho p  moves

                to  g4  or  Queen  moves  to  h5.  Usually  no tation  is  kep t  on  a  sheet   with  a  carbo n
                copy  beneath,  which  allows  public  and  pr ivate  records   of  all  ches s  ga mes  to  be
                saved.   For   a   number   of   years,   when    no tating   my   gam es,   I   had    also   written
                down  how  long  I  thought  on  each  move.  Thi s  had  the  pur po se  of  he lpi ng  me

                manage  my  time  usage,  but  after  my  first  session  with  Dave,  it  also  led  to  the
                discovery of a very interesting pattern.  Lo oki ng  back  over my gam es,  I saw tha t
                when  I  had  been  playing  well,  I  had  two-  to  ten-minut e,  crisp  thi nks .  Whe n  I
                was  off  my  game,    I  would  sometimes  fall  into  a  deep  calculation    that   lasted

                over  twenty  minutes  and  this  “long  thi nk”  often  led  to  an  inaccu racy.  Wha t  is
                more,  if  I  had  a  number  of  long  thi nks   in  a  row,  the   qual ity  of  my  de cisions
                tended to deteriorate.
                    The  next  morning,  Striegel  and  Loehr  told  me  about   thei r  concept   of  Stress

                and  Recovery.  The  physiologists  at  LGE  had  di scovered  that   in   virtual ly  every
                discipline,   one   of   the   most   telling   featur es   of   a   dominan t   performer   is   the
                routine  use  of  recovery  periods.  Players  who   are  abl e  to  relax  in  br ief  moment s
                of  inactivity  are  almost  always  the  ones   who   end  up  coming  thr ough  whe n  the

                game is on the line.  This is why the eminen t tenni s pl ayers of thei r da y,  suc h  as
                Ivan   Lendl   and   Pete   Sampras,   had    tho se   strangel y   pr edictable   rout ine s   of
                serenely picking their rackets between po int s,  whet her  they  won  or lost the  last
                exchange,  while their rivals fumed  at a bad call or pum ped  a fist in excitement .

                Consider  Tiger  Woods,  strolling  to  his  next  sho t,  with    a  relaxed  focus   in   hi s
                eyes.  Remember Michael Jordan sitting  on  the  ben ch,  a towel on  his sho ul de rs,
                letting   it   all   go   for   a   two-minut e   break   bef ore   coming   back   in   the    ga me?
                Jordan  was  completely  serene  on  the  ben ch  even  tho ugh     the  Bul ls  de spe rately

                needed  him  on  the  court.  He  had  the  fastest  recovery  time  of  any  athl ete  I’ve
                ever seen.  Jim Harbaugh told me about  the  fi        st time he  no ticed  thi s pa ttern  in
                himself.  He’s  a  passionate  guy,  and  liked  to  root  on  his  defens e  whe n  the y  were
                on  the  field.  But  after  his  first  sessions   at  LGE  he  no ticed  a  clear  impr ovement

                in   his   play   if   he   sat   on   the   bench,   relaxed,   and   didn’t   even   watch   the    othe r
                team’s  offensive  series.  The  more  he  coul d  let  thi ngs   go,  the  shar pe r  he   was  in
                the next drive.
                    The   notion    that   I   didn’t   have   to   ho ld   myself   in   a   state   of   feverish

                concentration  every  second  of  a  ches s  game  was  a  huge  liberation.     The  most
                immediate  change  I  made  was  my  way  of  han dl ing      chess  gam es  whe n  it  was
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