Page 137 - The Art of Learning by Josh Waitzkin_Neat plip book
P. 137

not my turn to move. Instead of feeling  obl igat ed to stay compl etely focus ed  on
                the  chess  position  while  my  opponen t  tho ught ,  I  beg an  to  let  my  mind  release

                some  of  the  tension.  I  might  think  about   the  position  in  a  more  abs tract  way,
                or  I  might  even  walk  away  from  the  board  and  hav e  a  dr ink  of  water  or  wash
                my  face.  When  my  opponent  made  hi s  move,  I  woul d  retur n  to  the   bo ard  with
                renewed energy. I mmediately I started no ticing i mpr ovement in m y pl ay.

                    In   the   coming   months,    as   I   became   more   attuned    to   the   qua litative
                fluctuations  of  my  thought  processes,  I  found  that   if  a  thi nk  of  mine   went   over
                fourteen    minutes,   it   would   often   become    repetitive   and   impr ecise.   After
                noticing  this  pattern,  I  learned  to  moni tor  the  effi  ency   of  my  thi nki ng.   If  it

                started  to  falter,   I  would  release  everythi ng   for  a  moment,   recover,   and   the n
                come  back  with  a  fresh  slate.  Now  when   faced  with  di ffi   lt  chess  po sitions ,  I
                could   think   for   thirty   or   forty   minut es   at   a   very   hi gh   level,   be caus e   my
                concentration was fueled by little breather s.

                    At  LGE,  they  made  a  science  of  the  gat her ing  and  release  of  intensity,  and
                found   that,   regardless   of   the   discipl ine,   the   bet ter   we   are   at   recovering,   the
                greater  potential  we  have  to  endur e  and  per form  under   stress.  Tha t  realization
                is a good starting point.  But how do we learn  to let go? It is much  easier to tell

                someone to relax than to actually do it on  the  free-thr ow line in  overtime of the
                NBA  playoffs  or  in  the  moments  before  making  a  career-de      ni ng  pr esent ation.
                This is where the mind-body connection co mes in.
                    The  physical  conditioners  at  LGE  taught   me  to  do  cardi ovascular  int erval

                training   on   a   stationary   bike   that   had   a   heart   moni tor.   I   woul d   ride    a   bi ke
                keeping my RPMs over 100,  at a resistance level that made  my hear t rate go to
                170  beats  per  minute  after  ten  minut es  of  exertion.   Then   I  woul d   lower  the
                resistance   level   of   the   bike   and   go   easy   for   a   minut e—my   hear t   rate   woul d

                return   to   144   or   so.   Then   I   woul d   spr int    agai n,   at   a   very   high   level   of
                resistance,   and   my   heart   rate   woul d   reach   170   again   after   a   minut e.   Next   I
                would  go  easy  for  another  minute  before  spr int ing  agai n,  and  so  on.  My  bo dy
                and  mind  were  undulating  between  har d  work  and  release.  The  recovery  time

                of  my  heart  got  progressively  shorter  as  I  cont inued   to  train  thi s  way.  As  I  go t
                into better condition,  it took more work  to raise my heart rate,  and  less time to
                lower   my   heart   rate   during   rest:   soon   my   rest   intervals   were   onl y   forty-fi  e
                seconds and my sprint times longer.

                    What  is  fascinating  about  this  metho d  of  phy sical  condi tioni ng  is  tha t  after
                just   a   few   weeks   I   noticed   a   tangi bl e   di fference   in   my   abi lity   to   relax   and
   132   133   134   135   136   137   138   139   140   141   142