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straight-ahead blues, I guess. I see myself as a musician who enjoys many genres of music, and
     the blues genre is natural to me, as it suits my voice and sensibility, as do roots, rhythm and

     blues, soul, country rock, blues rock and hard rock. I am looking forward to a world where the
     segregation of musicians into certain categories is no longer a thing. I would like to see the era
     of the massive rock or pop stars die down and have more of a grass roots type of thing, more
     community based, and way less money and connections based. The music business has been
     controlled by some very negative agendas for far too long - because music is such a powerful
     way to reach people.
     LL: Can you tell us about the musicians and crew who contributed to the album please?


     SJ: “Bitches Blues” was produced by Derek Sharp, who did an excellent job, once again, and
                                                                              then we have the great Chris
                                                                              Caddell on most of the guitar

                                                                              solos, and the astonishing Jimmy
                                                                              Reid playing all sorts of cool
                                                                              guitar shit and that wild and
                                                                              wacky electric sitar at the
                                                                              beginning of ‘Change Is Coming’.
                                                                              Jesse O’Brien is on the keys - he’s
                                                                              such a wonderful musician, and
                                                                              he’s into all those styles that I

                                                                              love so much, like The Band, all
                                                                              the iconic New Orleans stuff like
                                                                              Professor Longhair, Dr. John, The
                                                                              Meters etc. We got the incredible
                                                                              Steve Marriner on bass and
                                                                              harmonica … that guy is a legend
     in my mind, already. And last, but not least, my dear Cass Pereira on drums and percussion.
     LL: You’ve been successful in the music business for many decades. What are your
     thoughts on where the music industry and artists are at today?


     SJ: I have to say that I don’t pay that much attention to the music business in general. I am

     lucky to find artists that I like - and I think it is a very wide scope - I enjoy all kinds of music! I
     think it’s great that people can do things today without having to rely on that big old music biz
     machine that had a stranglehold on creativity when I started. There are many, many brilliant
     artists out there who are figuring out how to do their thing without much help - and there are
     avenues for being noticed now that didn’t exist when I was coming up. The only thing is that it
     is so saturated that it can be challenging to get noticed.
     LL: What can Sass Jordan fans look forward to coming up for you?


     SJ: I always have ideas and projects on the go - if you like what I do, there will always be

     more!!!
     ~ Lawrence Lebo

     Lawrence Lebo is an award winning, critically acclaimed Blues recording artist living in
     Los Angeles, CA, USA. She can be found on the web at www.lawrencelebo.com
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