Page 31 - Nihil Alchemia CRUCIBLE Issue One MAY 2020 Flip Book
P. 31

Similarly,  Renato  Leotta envisages an endless
          Newtonian landscape garden, where gravity, not
          humans act  upon  nature.  Visitors are  invited to
          remove their shoes and walk across the terracotta
          tiles which form the beautiful and poetic La Notte
          di San Lorenzo. The tiles document lemons he let
          fall in his garden in Sicily, rather than harvest. I
          imagined the clay as still wet, and could almost
          feel the weight of each lemon by the impression
          it left. Hear its gentle thud.


          In Mesk-Ellil, Hicham Berrada uses tricks of lighting

          to coax the famed night-blooming jasmine to
          release its exquisite sweet perfume during gallery
          opening hours. He offers up pleasure to us, and
          also perfectly illustrates how humans are prone to
          shape the world for our own indulgence.


          To view Pipilotti Rist’s Homo Sapiens Sapiens I join
          the  bodies  lined  up  on  the  floor,  heads  resting
          on long sausage cushions. The colourful, highly
          saturated video is an oval projection that hovers
          above. It feels like looking though a distorted lens.                      Nikaya is an artist and
                                                                                     designer based in Berlin.
                                                                                     She studied Media Arts
          Images spin, are mirrored and merge into each                              and completed a Master
          other  in kaleidoscopic fashion. Two  naked                                of Architecture after
          women—two  Eves exploring  the  Garden  of                                 becoming increasingly
          Eden—dance  and  frolic on tree  branches,  and                            fascinated by buildings
          float  curled  up  above  the  greenery.  Close-ups                        and embodied spatial
          of fruit and bodies squash together, juices from                           experience. With
                                                                                     strong interests in
          fleshy pulps flow freely. It is bewitching and easy                        phenomenology and the
          to be absorbed.                                                            intersections between art,

                                                                                     science, psychology and
          The overall experience  of  Garden  of Earthly                             philosophy, she is drawn

          Delights  was tremendously enriched  by the                                to provocative work
          artists’ choices to immerse visitors in their pieces.                      which encourages  new
          By tapping into the full spectrum of our senses,                           perceptions.
          it created a more embodied experience that felt
          intimate and playful. It freed feelings and elicited
          a  powerfully visceral response,  that  was  also
          provocative and encouraged self-reflection.
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