Page 16 - V. Motta: 2020/21 Creative Portfolio
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        EVENT
                 HORIZON
        EVENT HORIZON


                                              CyberPunk



                                                        for electronics


              uturistic, sci-fi, industrial
              and dystopic; in oth-
        Fer words, Cyberpunk.
        Those were my thoughts
        whilst writing this piece. In
        other to evoke such charac-
        teristics, I opted to write for
        mostly synthesizers, as they                                                  This piece presented
        can offer greater sound ma-                                           me a new challenge: to com-
        nipulation and at the same                                            pletely write a piece from
        time bring a futuristic and                                           scratch in a Digital Audio
        sci-fi sound to the piece.                                            Workstation, disregarding

                                                                              any elements of score nota-
                                                                              tion. In other words, the focus
                                                                              was on the sounds used and
                                                                              the soundscape which was
                                                                              being created with the differ-
                                                                              ent synthesizers and virtual
                                                                              instruments. I was confused
                                                                              and lost at first as I was not
                                                                              able to think in terms of how
                                                                              a score would look like. Trying
                                                                              to think of that did not lead
                                                                              me anywhere. Being frus-
               This was the first piece                                       trated with that, I decided to
        in which I explored sound                                             eliminate it from my thoughts
        synthesis more in depth as                                            and instead, focus my efforts
        well manipulating other el-                                           on this new approach to mu-
        ements which would not be                                             sic writing. What interested
        possible to explore within a                                          me the most when working
        normal performance (such as                                           on this piece as well as in a
        manipulating the stereo field                                         DAW, was the possibility of
        in a continuous manner). This                                         manipulating the stereo field
        piece allowed me to become                                            and how a sound could grad-
        more aware of the termi-                                              ually travel from left to right
        nology used whilst creating                                           and vice-versa.
        a new sound in synthesizer.
        Ultimately, I was able to com-
        prehend what each element
        (LFOs, Envelopes, Filters…)
        were and how they were af-
        fecting the sound I was cre-
        ating.
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