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334                 THE  ENCYCLOPEDIA  OF  TAOISM   A-L

       Monographs). However, it also appears in the *Daozang quejing mulu (Index
       of Scriptures Missing from the Taoist Canon) so must have been lost by the
       Ming. Chen Guofu located and collected these fragments and published them
       as Appendix 7 of his Daozang yuanliu kao (Chen Guofu 1963).
         It is in the nature of fragments to be partial and while most of the chapters
       of the original are represented in Chen Guofu's compilation, some are not,
       and we have no way of ascertaining what the original table of contents looked
       like.  In addition many of the fragments are notices of just a few sentences.
       While some of the biographies concern ancient figures, most of the subjects
       lived in the few centuries immediately prior to Ma Shu's own time. Easily the
       longest fragment concerns *Lu Xiujing, an entry that has proved important
      in piecing together his biography.
                                                         Benjamin PENNY

       ID  Bumbacher 2000a;  Bumbacher 2000C (crit. ed. and trans.); Chen Guofu
      1963, 239 and 454-504;  Eskildsen 1998, 31-42

       * HAGIOGRAPHY


                                    daoyin




                        "guiding and pulling"; gymnastics


      "Guiding and pulling" is a set of gymnastic techniques aimed to let *qi properly
      circulate, expel pathogenic qi,  heal certain diseases,  keep old age away,  and
      nourish life (*yangsheng). They are performed in an upright, sitting, or reclin-
      ing position, and can be combined with ingestion of breath (*foqi), abstention
      from cereals (*bigu),  massage, and visualization.
         The term daoyin first occurs in *Zhuangzi 15,  which criticizes this type of
      exercise (see the entry *tuna). The individuals associated with it (e.g., the two
      rain masters *Chisong zi and Ningfeng zi '~' it T ) and especially its relation to
      dance suggest that the original purpose of the practice was to expel demonic
      influences (see Harper 1985). Gymnastic practices and shamanic dances share
      the same animal symbolism: practitioners imitate the crane, snake, swallow,
      turtle, stag, dragon, and tiger, all known for their powers against demons or
      for their longevity.
      Early sources. The earliest descriptions of daoyin techniques appear in a *Mawang-
      dui (Hunan) manuscript entitled Daoyin tu W fJ  I [®j  (Drawings of Daoyin; trans.
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