Page 74 - Aldi Lukman Nurhakim_How to Write Critical Esays: A Guide for Students of Literature
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Planning an argument  73
             productive mood. The general claim that you have been
             thinking, like the claim that you will be, can be no substitute for
             specific thoughts. Reminding the reader of the essay title should
             be even more superfluous by the end of your answer than it was
             at the beginning.
               A merely summarizing conclusion is likely to be repetitive
             and reductive. Like any paraphrase, it is likely to do an injustice
             to the subtlety and complexity of the text which it seeks to
             abridge. You will often find that what you had planned as your
             penultimate paragraph should in fact be the last. If it establishes
             the final point of your argument, it will probably make a
             decisively detailed resolution which some more broadly-based
             summing up would only dissipate.
               Admittedly, the position of your closing sentences gives them
             unfair advantage in any struggle to change your reader’s mind.
             What has been most recently read tends to be most vividly
             remembered. So an undisciplined tutor may be excessively
             impressed by a final flourish or give a disproportionately low
             mark to an essay which falters right at the end into
             uncharacteristic clumsiness. Most tutors, on most occasions,
             however, can be relied on to read well. That means reading all
             of a work with equal attentiveness. Do end as clinchingly or
             wittily or thought provokingly as you can. Remember, however,
             that no localized spit and polish here will put a shine on an
             otherwise dull essay.
               If in doubt, begin your essay no earlier than the beginning of
             your argument and, as soon as that argument is complete, stop
             writing.
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