Page 75 - Aldi Lukman Nurhakim_How to Write Critical Esays: A Guide for Students of Literature
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4 Making a detailed case













             Most O-level questions—and indeed many A-levels ones—spell
             out the need to go into detail. You might now, however, be
             faced by a question which sounds more generalized. Do not be
             misled. Admittedly, as an advanced student, you should be
             gradually learning how to offer more sophisticated thoughts
             about a wider range of literature; but you will also be expected
             to support those ideas by more skilful use of specific evidence.
             Sometimes a title’s phrasing will be deliberately vague in the
             hope of provoking you into thinking and writing more exactly.
             Choosing—and using—the most localized moments in a text
             may now matter more than ever. So acquire the habit of
             chanting to yourself, at every stage of essay composition,
             ‘Specify; specify; specify’.


             Clarification or proof


             In literary criticism, as elsewhere, evidence can involve two
             distinguishable concepts.
               To make evident is to reveal. References to particular
             episodes, lines or words show your reader the text as you see it.
             By citing examples you explain just what the patterns are that
             you have spotted.
               Evidence can also suggest the means of persuasion, the facts
             and factors by which a case can be proved. You need not only
             to explain what your contentions are but to demonstrate that
             they are rational. Evidence proves that you are not guessing at a
             distance but responding to words that all can find on the
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