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needs to be simmered and once it is cooked, the ‘bubur merah’ is divided into two separate containers.
               One  part  should  be  mixed  with  brown  sugar  and  the  other  is  combined  with  salt.  Once  all  is
               combined, the mixture of the brown sugar will be scooped into a bowl first and then take the white
               portion and pour onto the first layer.
               The unique combination creates the spiritual (white colour) and physical (red colour) of the dish and
               relates to one’s well-being during life and the afterlife (Hanapi, 2017). It is a normal practice to prepare
               and cook ‘bubur merah’ through communal work and distribute the dish as a token of appreciation
               from the host to the guests. This ‘bahasa bubur’ (porridge language) creates an unspoken meaning but
               being understood to maintain a harmonious setting among the community. Some of them are for the
               youngsters to respect the elders, have faith in leaders, the importance of supporting a family and taking
               care of the surrounding people. All of these good deeds should be practised at all times.

               From another preparation aspect, red porridge can still be prepared traditionally.  If for commercial
               purposes, red porridge can be cultivated and produced on a small-scale industry or at a cottage industry
               (Nurhayati, et. al. 2014).  The yield of red porridge also does not change over time, as does the way it
               is served. In addition to the above, cooking utensils used such as spoons, pots or pans, ladles, sieve and
               grater are also easy to find because they are used in everyday cooking. Before red porridge can be
               distributed  to  the  surrounding  neighbours,  it  only  requires  a  simple  packing  which  is  usually  a
               disposable food container being used.


















                                              Figure 1.  Author’s photo collection






















                                               Figure 2. Author’s photo collection





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