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46     EASTERN HORIZON  |  FACE TO FACE








           I wrestled with this question for some time, but   avoid her suffering. On the contrary, they actually seek
           eventually found the answer by looking at what others   to highlight her suffering instead. Yasodhara does not
           have done before me. I wondered what sources other   celebrate her husband’s departure, but is devastated in
           storytellers used when they crafted a Buddhist story,   almost every account. So I don’t think we can point to
           and I quickly realized that the answer to my question   the past and shrug with a bland statement of historical
           was, that every teller (and writer and artist) uses   inevitability. Even then, in the ancient past, the prince’s
           everything they have at their disposal. Ashvaghosa used   departure was devastating. And indeed, it had to be
           the narratives he had, just as Hridaya Chittadhar used   devastating. If the prince left and everyone applauded
           the ones he had. I would therefore humbly follow in their   and said, “well done!” his departure would have little
           giant footsteps and use whatever I had within reach.  narrative impact. It is precisely because everyone is
                                                              devastated that the story works.
                                                         st
           Of course, this created a fascinating problem. In the 21
           century, we have a tremendous collection of Buddhist   Yasodhara is, moreover, not the only one who is
           texts and traditions at our disposal – from every   devastated by his departure. A close reading of the
           corner of the Buddhist world. So, I scratched my head,   sources reveals that everyone in his life is heart-broken
           laughed a little, and then jumped right into all of it.   by the loss. His stepmother Gotami cries so much,
           Whatever I could find, whatever was available, I read.   according to one Sanskrit text, that scales cover her
           I moved between early Sanskrit poetry to medieval   eyes from all the tears. The horse Kanthaka that carried
           Sinhalese material, to contemporary ex-Dalit poetry   him off dies of heartbreak when the prince walks
           and Newari songs. I was drawn towards South Asian   away. Channa, the chariot-driver, is utterly miserable
           sources because that is my field of expertise, but I read   when he is forced to return to the palace without his
           everything from everywhere that I could find.      master. Everyone is upset by the future Buddha’s Great
                                                              Departure. And they must be – not just because a good
           Despite the great variety of sources available, the   story needs a dramatic turning point, but because
           skeleton of the story remains largely the same. The   suffering is the engine that pushes us toward freedom.
           differences are in the details, but I would never dismiss   If none of these characters suffered, they would never
           the details just because they are slight. When you pay   be inspired to seek freedom from suffering.
           attention to the details, you realize how much variety
           the storytellers shared with us. Small scenes are added   And would you say that Yasodhara was already
           here and removed from there. Yasodhara is fiery in   prepared for Siddhartha leaving his family behind,
           one account, and quieter in another. The storytellers   or it came as a shock to her? Or do you see her as a
           allowed themselves their own interpretation, each and   partner in her husband’s quest for the truth?
           every time. So, while there is a shared pattern across the
           board, there is also a rich tapestry of difference. Each   This is a wonderful question – one that I spent a
           teller gave Yasodhara a distinctive voice, which is what   long time wondering about. In the end, I came to the
           gave me permission to give Yasodhara a voice of my own.  conclusion that she must have been a partner to him
                                                              as he prepared for this quest. The literature often
           The idea of Siddhartha leaving his wife Yasodhara   describes the two of them as having been married
           and a new born child in the middle of the night was   for lifetimes – one jataka after another places them
           painful for many people but it has been argued     together as husband and wife. Yasodhara was not just a
           that it happened at a different time and place. As   backstage wife, filling a narrative role. She was beside
           a modern scholar how do you explain this in the    him for lifetimes, and therefore I must assume that she
           context of what Siddhartha did?                    was with him also as he prepared himself for this quest.
                                                              This does not mean that she was not devastated by the
           It did happen in a different time and place, but I am not   loss. As I noted with the previous question, Yasodhara
           convinced that this makes his departure any less painful   is repeatedly described as having suffered terribly
           for Yasodhara. Indeed, few Buddhist hagiographies   after his departure. But I don’t think she was surprised
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