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Notes to Pages 59–65                  411

                Berlin Structure-of-Intellect Test and four measures of creativity to range from
                .36 to .54 in a sample of 1,328 German students; when corrected for processing
                speed, the range was .07 to .24 (p. 164). In a meta-analysis of 447 correlations,
                Kim (2005, p. 59), found that although the range of values varied between –.41
                and .71, the mean correlation was .17 and only a handful of correlations was
                greater than .41. A correlation of .40 means that 16% of the variation in creativ-
                ity is accounted for by variation in intelligence, leaving 84% of the variation to
                be explained by something else. In short, correlational studies show that indi-
                vidual differences in creativity are not explained by individual differences in IQ.
                The situation is the same for children; see, e.g., Fuchs-Beauchamp, Karnes and
                Johnson (1993).
              18.  Harvard scholar David Perkins has developed the interesting notion of dispo-
                sitional intelligence (Perkins et al., 2000; Tishman, Jay & Perkins, 1993). People
                possess approximately the same cognitive capabilities and capacities, but they
                are differently disposed with respect to their use. People whom we tend to regard
                as exhibiting high cognitive ability or unusually high creativity are disposed to
                engage those capabilities at the drop of a hat. For example, when confronted
                with a particular set of facts, some people immediately seek to understand their
                implications. The conclusions they come up with might not require extreme
                cognitive capacity or complex processing that is beyond the reach of the rest
                of us. It is the fact that they are disposed to seek such implications that distin-
                guishes them. Applied to the production of novelty, this concept implies that
                creative individuals are highly disposed to, for example, look for novel ways of
                doing something.
              19.  For  lifetime  creativity  studies  using  a  cognitively  informed,  biography-like
                approach,  see,  e.g.,  Gardner  (1993)  on  Freud  and  Einstein,  Gruber  (1974)  on
                Darwin and others. Gruber and Wallace (1999) and Howe (1996) describe the
                methodology of using case studies in this way. This approach differs from the
                quantitative approach to lifetime creativity used by Galenson (2006), Simonton
                (1988, 2004) and others.
              20.  See Metcalfe (1986) and Metcalfe and Wiebe (1987). Insight problems can also
                be  differentiated  from  noninsight  problems  with  correlational  methodology
                (Gilhooly & Murphy, 2005).
              21.  See Bowden and Jung-Beeman (2003), Bowden, Jung-Beeman, Fleck and Kounios
                (2005),  Jung-Beeman  et  al.  (2004),  Kounios  et  al.  (2006),  Luo  and  Knoblich
                (2007) and Luo, Niki and Knoblich (2006).
              22.  For example, see Kershaw and Ohlsson (2004) and Knoblich, Ohlsson, Haider
                and Rhenius (1999).
              23.  To choose 5 objects among 10, pick any 1 among the 10, any 1 among the remain-
                ing 9, any 1 among the remaining 8, etc., for a total of 10*9*8*7*6 = 30,240 dif-
                ferent selections. Suppose that the objects can be related to each other via 10
                different binary relations, i.e., relations that can be absent or take either one of
                                     10
                two  values.  This  provides  3   =  59,049  different  relational  structures  for  each
                selection of 5 objects. Multiplying these numbers gives us 1,785,641,760 possible
                configurations.
              24.  See Miller (1996) for the estimate of vocabulary size.
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