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416                     Notes to Pages 83–90

              58.  Koffka disagreed with Duncker and the other Gestalt psychologists about the
                importance of the goal for restructuring. Duncker thought that careful analysis
                of the goal was one of the forces that drove problem solving (Duncker, 1935/1974,
                p. 52). But Koffka (1935) wrote: “The reorganization itself must, if it is to be right,
                depend upon the properties of the field alone, and not upon any field-Ego rela-
                tionship” (p. 636).
              59.  Köhler (1924); this book is as yet not translated into English.
             60.  Piaget (1950): “… the Gestalt theory, although correct in its description of forms
                of equilibrium or well-structured wholes, nevertheless neglects the reality, in per-
                ception as in intelligence, of genetic development and the process of construction
                that characterizes it” (p. 66). Weisberg has emphasized the dependency of cre-
                ative work on, and its continuity with, prior experience; see Weisberg (1986, 1993)
                and Weisberg and Alba (1981).
              61.  Koffka (1935, p. 636).


                Chapter 4.  Creative Insight: The Redistribution Theory
              1.  Köhler (1972, p. 154).
              2.  Almost any historical account of a creative project with major impact confirms
                the long durations of such projects; see, e.g., Gruber (1974) for description of
                Charles Darwin’s lifelong work on the theory of natural selection, Westfall (1983)
                on Newton, Cooper (1992) on Beethoven and so on. Gardner (1993) sketches the
                life trajectories of Freud, Einstein, Picasso, Stravinsky and other notables.
              3.  For studies that do just that, see Dunbar (1995, 1997) and Dunbar and Blanchette
                (2001).
              4.  DiVesta and Walls (1967) and Maier (1931).
              5.  Maier (1945).
              6.  The origin of the Nine Dot Problem is obscure. It is often attributed to Scheerer
                (1963), but it was probably not invented by him. It was used in a study by Pally
                (1955), who in turn refers to a psychology textbook by Munn (1946), where it
                occurs on page 180, but without any source.
              7.  The b.c. Coin Problem was studied by Schooler, Ohlsson and Brooks (1993). See
                also Weisberg (1995, Appendix B0).
              8.  See Metcalfe and Wiebe (1987) and Sternberg and Davidson (1982).
              9.  Creativity researchers who have critiqued the study of individual insight events
                include Gruber (1974) and Weisberg (1986, 1993). For Gruber, the issue is that so
                much more happens in the slow growth of a complex creative project than the
                appearance of a new idea here and there. For Weisberg, the idea that prior experi-
                ence is a hindrance is fundamentally wrong; instead, prior experience is the main
                resource for creative work. This fact is obscured by studying simple problems that
                do not evoke complex prior knowledge.
              10.  For example, Metcalf (1986) and Metcalf and Wiebe (1987) showed that people
                can judge how close they are to solving analytical problems, but not insight
                problems.  Gilhooly  and  Murphy  (2005)  did  cluster  and  multiple  regression
                analyses on both insight and noninsight tasks and found support for the dis-
                tinction  between  the  two  types  of  tasks.  Fleck  (2008)  found  that  working
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