Page 329 - Chinese SIlver By Adrien Von Ferscht
P. 329

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            Egg cruets were a favoured and much-used item of Georgian breakfast silver and several of the Canton makers
            created faithful George III-style examples. The quality of these items is extremely high and are comparable to
            examples  created  by  the  finest  of  contemporary  English  silversmiths;  this  Houcheong  example  being  no
            exception.  It  confirms  the  extraordinary  expertise  of  Canton  silversmiths  to  create  such  fine  silver  objects.
            While none of these silversmiths probably had never even left the confines of Canton, let alone saw such items
            in  use  in  their  native    England,  it  should  be  remembered  that  many  of  these  silversmiths’  workshops  were
            located  in  the  warren  of  alleys  near  Old  and  New  China  Streets  where  most  of  the  retail  silversmiths  were
            located. These streets were literally bordering upon the “13 Factories” area of old Canton where all the foreign
            merchants  and  trading  companies  were  confined  to  under  the  strict  trading  rules  of  the  Canton  System. An
            exclusively  male-only  area  by  Imperial  decree,  the  resident  merchant  gentlemen  [many  of  them  were  of
            aristocratic stock] lived a life that mirrored their high-society lifestyles at home, so egg cruets would have been
            widely used and could have been readily seen being used by silversmiths and the Chinese Hong merchants
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            alike.!

            The following illustration of a five-piece tea set bearing the Houcheong mark is again an extraordinary example
            of the Cantonese “Georgian” style of the early 19th century. Of segmented melon form, it dates from circa 1830,
            it is decorated with a repoussé acanthus leaf repeating motif which arguably could be interpreted by some as
            being chrysanthemum leaf. As befitting the style, the rims of all the pieces are gadrooned, interrupted with floral
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            and foliate decorative inserts; the cast feet are also perfectly in keeping.!
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