Page 780 - Chinese SIlver By Adrien Von Ferscht
P. 780

Yet  another  superb  example  of  Wong  Shing’s
            genius  at  work  in  the  shape  of  the  Chinese
            Export Silver claret ewer covered with fruiting
            vine and using the twisted stem of the vine as
            a  handle  which  attaches  itself  to  the  body  of
            the ewer with vine leaves.

            The ewer carries the inscription:

                        Hong Kong Regatta
                           October 1850
                     Trail Race Two pairs Skulls
                      Mr Clarkes E’ungo Bragh
                             pulled by
                      J.S.P. Clarke & J.R.Lugg


            According to the Royal Hong Kong Yacht Club,
            at some date after 1849 a group of oarsmen in
            Hong  Kong  formed  themselves  into  a  club
            known  as  the  'Hong  Kong  Boat  Club'  with  a
            flag  in  reverse  colours  to  that  of  the  extant
            'Victoria  Regatta  Club'.  Rowing  historians  in
            the Colony seem to agree they were an "active
            and  progressive  club"  with  North  Point  as  a
            headquarters.  It  is  likely  rowing  events  here
            constituted  the  first  organised  water  sport  in
            Hong  Kong,  therefore  this  wine  ewer  may  be
            one of the first watersport trophies awarded in
            the entire Far East.
















                                          It is particularly interesting that a Hong Kong club commissioned a Canton
                                          silversmith  to  make  this  ewer,  given  Wang  Hing  and  other  Chinese  retail
                                          silversmiths  were  already  established  on  the  island  and  servicing  the
                                          burgeoning colonial clubs.

                                          This  rose  water  sprinkler  is  dated  circa  1825  and  although  a  somewhat
                                          incongruous  mix  of  an  Eastern  ceremonial  object  being  rendered  totally  in
                                          the  neo-classical  style,  it  successfully  retains  its  identity  without
                                          compromising the classic Western style.

                                          Wong  Shing  repeats  a
                                          m a s t e r y  o f  t h e  n e o -
                                          classical fluted form in the
                                          following  example  of  a
                                          circa 1830 mustard pot.
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