Page 507 - Oriental Series Japan and China, Brinkly
P. 507
INDEX
Ching Ning-heu, potter, 362. 301 ; iridescent enamels, 216; yel-
low of Ming and Tsing dynasties,
Ching-te-chen official potteries, early 224; wide range, 335; materials
and methods for glaze or couleurs de
keramic importance, 14, 89; Kuan
grand feu, 393, 394, 399-401;
celadon of Ming dynasty, 80 imi- materials and methods for decora-
;
tive, or couleurs de demi-grandfeu,
tations of old celadons, 83 ; situa- 393 401-410. See also Poly-
chromatic ware, Enameled ware
tion, 86; in 1625, 86-88; marks, (coloured ground), and for mono-
chromes see the colours by name.
89, 93 ; under the Yuan dynasty, Composition, of Chinese cobalt, 103 ;
of Chinese and Sevres porcelain,
92 ; Shu-fu or later Ting ware, 93, 384 ; of European colours for decor-
ative purposes, 402 ; of Chinese
251, 262264; special Court fac-
enamels, 405.
tory, 103, 122; specimen Court Coral red monochromatic porcelain,
orders for blue-and-white ware in 301.
Crab's claw markings, 35.
Ming dynasty, 123125, 129- Crab-sheil green monochromatic ware,
133; manufacture of large pieces, 322.
134; Nien's superintendence, 171;
Tang's superintendence, 172; de- Crackle, Ju celadon, 34; Kuan cela-
don, 38 ; Ko ware, 42, 343 ; soft-
stroyed, 175; present condition,
175; Nankin ware of private facto- paste blue-and-white porcelain, 107,
109; later Ting ware, 263 ; Tsui-
ries, 177. se or Turquoise ware, 317; origin,
Chiun-tien, variety of flamb'e ware, 343 ; method for large, 343 ; esteem,
344; Chinese skill in manipulating,
333- 344; fine, 346; fish-roe, 346; dif-
ference between ancient and mod-
Chou dynasty, later Chai ware, 1 8.
ern, 346.
Chu-hwa-ki, 269. Crane as an emblem of longevity,
Chui-ching-yao, preparation and styles,
165.
'51-153- Cucumber-rind green monochromatic
Chun-yao, esteem, 50 ; character, 5 1 ; ware, 321.
glazes, 51-53; marks, 53, 57; DECORATION, incised and relief, on
white monochromes, 16, 25, 255,
errors respecting, 5357; imita-
263, 267270, 272 ; incised and
tions, 83 ; red, 279; purple, 309;
relief, on coloured monochromes, 36,
clair-de-lune, 312.
Clair-de-lune glaze, 51, 91, 312, 43, 47, 58, 82, 281, 296, 306,
314, 317, 322, 349; copies from
3'3> 352. ancient bronzes, 36, 39, 6 1 ; early
subordination to glaze, 96 ; subjects
Cobalt, Mohammedan blue, 101, and character of, for blue-and-white
no, 121, 122, 128, 140; com-
ware, 111-113, I2 3~ I2 5> 129-
position of native, 103 ; use and 133, 149, 155-167; forerunner
quality of native, 139141, 400.
See also Colours.
Cochin China, ware so-called, 29.
Colours, quality of early blue, 99,
oI I ; importation and use of Mo-
hammedan blue, oI 1 , 1 1 o, 121,
122, 128, 140; character of blue
of later Ming dynasty, 127, 135;
red under the glaze, 127, 169;
native blue, 138140; in mono-
chromes, I 54; enamels ofthe Cheng-
hwa era, 189, 191; enamels of the
Kang-hsi era, 203,210,211,233,
417