Page 508 - Oriental Series Japan and China, Brinkly
P. 508
INDEX
of the Hawthorn pattern, 1 1 8 ; subjects in Kang-hsi era, 201205 >
subjects for red under the glaze,
128, 170; Hawthorn pattern, enamels of Kang-hsi era, 203 ;
137, 141 ; souffle, 151-153; me- Famille Verte, 204, 214; char-
dallion style, 152, 204, 213 ; Oc- acter of decoration in Kang-hsi
era, 204 ; Famille Chrysanthemo-
cidental influence, 177, 232; sub-
Pceon'eenne, 205-210 ; origin of
jects for enamelled, 189, 195-197, Famille Rose, 210; its character
200, 204, 206, 209, 211, 246; and special varieties, 211215,
302 ; of Ching-lung era, 214 ;
reserved style, 193, 223; figure
subjects, 202 intimate relation of lamp-shades, 215; iridescence,
; 216; imitation of Sevres, 216;
with decoration in green only, 228 ;
Chinese and Japanese motives, 206 ; decorated and imitated in Europe,
incised and relief, added to enam- 237243; decadence in nineteenth
"'
elled, 229; grains-of-rice/ 229;
white slip, 230; character, 398,
404. century, 243-245 ; "jewelled,"
Deer as an emblem of longevity, 1 64. 245 ; Three-coloured ware, 245,
Dragon as a decorative subject, 155, 247.
Coloured ground : yellow on blue
197.
EAST INDIA COMPANY imports porce- ground, 193, 223, 225 ; develop-
ment in Cheng-hwa era, 191; Black
lain, 373. Hawthorn, 218220; other wares
Eel-yellow monochromatic ware, 307.
with black ground, 218, 221, 222 ;
Eggshell porcelain, blue-and-white, on red, 221 ; on dark green, 222 ;
109, 112; enamelled, 204; mono- on yellow, 223 ; rose on blue, 225 ;
chromatic hard-paste, 253-257;
on green, 225 ; rose on chocolate,
process, 395. 226 gold on bronze, 226 on
Eight Immortals as decorative subjects, ; ;
161. mottled, 227.
Enamels, European and Chinese,
Enamelled ware, white ground :
Occidental influence and reputation, 408. See also Colours and Enam-
elled ware.
179,231-236; origin, 180-182, Entrecolles, F.X.d', on Ching-te-chen,
185 ; hi early Ming eras, 182 8688 ; on materials for porcelain,
;
282, 284 ; on mirror-black ware,
development in Hsuan-te era, 183 324 ; on brown glaze, 326 ; on
185 ; early subordination of enam- transmutation ware, 330 ; on prep-
els to general design, 185, 186; aration of glaze, 385387 ; on
development in Cheng-hwa era,
186192 ; first use of independent stoving porcelain, 396.
designs, 189; Occidental miscon-
ception of Ming dynasty ware, 1 90, FAIENCE, character of, prior to Sung
1 99 ; temporary arrest in develop- dynasty, 1922 ; preference over
ment, 192; reserved style of dec- porcelain, 26, 61 ; usual pate for
celadons, 34 ; so-called Yuan
oration, 193, 223 ; elaboration in porcelain, 91 ; early blue-and-
white, 98; gradations into porcelain,
Lung-ching and Wan-li eras, 1 94 99, 348 ; Three-coloured enam-
197, 199; immense production for elled, 246-249, 349; Kwang,
313 ; not largely manufactured,
the Court, 197 ; non-productive-
ness of early Tsing eras, 201 ; de-
velopment of fate and decorative
418
