Page 512 - Oriental Series Japan and China, Brinkly
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INDEX

Lion as a decorative subject, 158.         ing the colours, 298, 393, 394;
                                           modern imitations, 380. See also
Liu-tsu, 13.
                                            Celadons and colours by name.
Lo, Hsuan-te era potter, 115.           Mustard yellow monochromatic porce-
Longevity, decorative devices typify-
                                           lain, 306 ; modern imitation, 381.
    ing, 162-166.

Lu-yao-pien, 333, 334.                  NANKIN WARE, 176-178.
Lung-ching era, blue-and-white ware,    Nanwhei province, Pong ware, 90.
                                        Ngeu, potter, imitations of Ko and
   126, 133135; enamelled ware,
                                           Kuan wares, 77.
    194-201.
Lung-chuan-yao, origin, 41 ; dis-       Ngeu Ching-chun, potter, 359.
                                        Nien Hsi-yao, superintendent of
   tinguished from Ko-yao, 42 ; char-
                                            Ching-te-chen factories, 8 1 , 171.
   acter, 4246, 50; identification,
   43, 4749; date of origin, 46;        PA SIEN as decorative subjects, 61 1 .

   factories, 46, 48 ; period of manu-  Pai-ting-yao, 25; See also Ting-yao.
                                        Pao-shi-hung monochromatic porce-
    facture, 76.
                                            lain, variety of Chi-hung of Hsuan-
MAJOLICA WARE, reason for its fine         te era, 281 ; of Kang hsi era, 297.
                                        Peach as an emblem of longevity, 1 66.
    glaze, 391.                         Peach-bloom. See Pin-kzuo-ts'ing.
Mandarin porcelains, 202.               Peacock green monochromatic ware,
Marks. See Identification.

Mazarin blue monochromatic porce-

    lain, 314.                              320; polychromatic ware, 338.
Medallion bowls, 213, 244.              Pechili province, ware of the Tang
Medallion style of decoration, 152,
                                           dynasty, 15; Ting ware of the
    204, 213, 221.
Mei-hwa-yao. See Hawthorn pat-              Sung dynasty, 24, 29.
                                        Peng Chiian-pao, potter, imitates Ting
tern.

Metalic black monochromatic ware,           ware, 27, 259.
                                        Petuntse, functions in porcelain, 384,
     3 2 3 3 2 5-
                                        385.
Meyer, A. B., on celadon, 65.
                                        Phoenix as a decorative subject, 156.
Min Lu-shang, potter, 360.
Ming dynasty, golden period of ker-     Pi-seh-yao, secret-colour ware, 17.

    amics, 103; blue-and-white ware,                                           >  monochromatic  porce-

   104136; enamelled ware, 182          Pin-ktoo-ts ing

    20 1 ; white monochromatic ware,    lain, character, 294; varieties, 295,
                                        320; scarcity and shapes, 296;
   252264; red monochromes, 280
                                        decoration, 296 ; pate, 296 ; mark,

286; yellow monochromes, 304;               297.

73potters of boccaro ware, 3 5  61 ;           _

ware not exported, 376.                 Pine as an emblem of longevity, 165.
                                        Plum as an emblem of longevity, 165.
Mirror black monochromatic ware,        Polo, Marco, on Chinese porcelain,

323 325 ; modern imitations, 326.           3 6 7-

Mo-Ting-yao, 323.                       Polychromatic wares, transmutation or

Mohammedan blue, importation and        flamb'e, 28, 329-334, 342; possi>-
   use, 101, no, 221 ; exhaustion of    ble varieties classed as mono-

    supply, 122, 128, 140.              chromes, 329; wide range, 334-
Monochromatic wares, potter's first     in which red predominates, 336.
                                        blue and green, 338; Fang-chiin y
   aim, 96, 154; methods of develop-

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