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                                                                                     PEOPLE & ARTS Monday 13 noveMber 2017

            ‘Thor’ tops ‘Daddy’s Home 2,’ ‘Orient Express’ at box office



            By LINDSEY BAHR              The studio expects the film
             AP Film Writer              to  play  well  through  the
            LOS  ANGELES  (AP)  —  The  Thanksgiving  holiday,  ap-
            God of Thunder isn’t ready  pealing to audiences who
            to  relinquish  his  box  office  are  not  rushing  out  to  see
            throne yet.                  the latest comic book ad-
            Studios  estimated  Sunday  venture.  Next  week,  DC
            that “Thor: Ragnarok” add-   and  Warner  Bros.’  super-
            ed $56.6 million from North  hero ensemble pic “Justice
            American  theaters  in  its  League” opens.
            second weekend, bringing  “I don’t think our audienc-
            its domestic total to $211.6  es will overlap a lot,” Aron-
            million.                     son added.
            The  film,  from  Disney  and  “A  Bad  Moms  Christmas”
            Marvel  and  directed  by  took  fourth  with  $11.5  mil-
            Taika  Waititi,  out-grossed  lion in its second weekend,
            each  of  its  two  predeces-  and “Jigsaw” rounded out
            sors domestically in just two  the  top  five  with  $3.4  mil-
            weeks,  not  accounting  for  lion.
            inflation.                   In  smaller  releases,  Greta
            It easily beat out the come-  Gerwig’s buzzy coming-of-
            dy sequel “Daddy’s Home  age  film  “Lady  Bird,”  from
            2”  and  the  lavish  Agatha  distributor  A24,  also  broke
            Christie  adaptation  “Mur-  into the top 10 in its expan-
            der on the Orient Express,”  sion to 37 theaters, earning   This image released by Twentieth Century Fox shows Johnny Depp in a scene from, “Murder on
                                                                      the Orient Express.”
            even  as  both  posted  solid  $1.2 million.                                                                                    Associated Press
            openings.                    Another  awards  contend-
            Paramount  scored  again  er,  “Three  Billboards  Out-
            with  “Daddy’s  Home  2,”  side Ebbing, Missouri,” star-
            which  adds  John  Lithgow  ring  Frances  McDormand,
            and Mel Gibson to the Will  opened to a strong limited
            Ferrell and Mark Wahlberg  release  with  $320,000  from
            formula.  The  film,  which  just four theaters.
            cost a reported $69 million  Still,  the  overall  box  office
            to  produce,  took  second  continues  to  lag,  down  5
            place at the box office with  percent for the year.
            $30 million. The first film from  “We’re  still  down  from  the
            2015 grossed $242.8 million  same weekend a year ago
            worldwide on a similar bud-  about 7 percent.
            get.                         Despite  ‘Thor’  and  these
            Critics  were  not  won  over  newcomers,  a  lot  of  these
            by  the  comedy,  but  audi-  films  aren’t  creating  a  lot
            ences  seemed  pleased,  of  excitement,”  said  com-
            giving the film an A- on Cin-  Score senior media analyst
            emaScore.                    Paul Dergarabedian.
            The  star-studded  “Murder  “It’s  going  to  take  this
            on  the  Orient  Express,”  combination  of  ‘Justice
            meanwhile, screeched into  League’  and  ‘The  Last
            third place with an estimat-  Jedi’ and everything in be-
            ed  $28.2  million  against  a  tween to try to dig us out of
            $55 million budget.          this deficit.”q
            Kenneth  Branagh  directs
            himself  in  the  film,  which
            also  stars  Michelle  Pfeiffer,
            Johnny Depp, Daisy Ridley
            and Judi Dench.
            Audiences  were  mostly
            female  (56  percent),  and
            Caucasian  (65  percent),
            but  somewhat  evenly  split
            in terms of age (51 percent
            were over 35).
            “It  gives  me  an  incredible
            injection of optimism for the
            future of our business. This is
            sumptuous, throwback Hol-
            lywood  filmmaking,  and
            audiences  responded  to
            it,” said Chris Aronson, pres-
            ident  of  domestic  distribu-
            tion  for  Twentieth  Century
            Fox.
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