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Plate 13.1 Two pages from the
                                                                                      Zuantu huzhu Zhouli 纂圖互註
                                                                                      周禮 (The Rites of Zhou,
                                                                                      Illustrated and Cross-
                                                                                      Referenced), Southern Song
                                                                                      edition, National Library of
                                                                                      China, pp. 17–18. a) Liuzun tu
                                                                                      六尊圖 (Images of Six Vessels)
                                                                                      (left) after Sanli tu and b)
                                                                                      Zunlei tu 尊罍圖 (Images of
                                                                                      Wine Vessels) (right), after Liju
                                                                                      yang 禮局樣 (Ritual Service
                                                                                      models). Liju yang was the
                                                                                      official ritual vessel models
                                                                                      issued by the Southern Song
                                                                                      government, based on the
                                                                                      Xuanhe bogu tu system

            This revolutionary change in ritual vessels, in tandem   these earlier systems were almost abandoned. We might
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          with the ritual reform of the early Ming dynasty,  was not   view the new ideas of the early Ming dynasty as ‘a third
          limited to the ceremonies of the Imperial Ancestral Temple,   system’ (or ‘ceramic-oriented ritual vessel system’ or
          but was also seen in the regulation for jiaoshi 郊祀 (suburban   ‘Hongwu ritual vessel system’), in addition to the Sanli tu and
          sacrifices) such as the sacrifices to Heaven, Earth and other   Xuanhe bogu tu systems.
          gods, and later extended to the ceremonies of royal courts,   According to the illustration in Da Ming huidian 大明會典
                                                                                      12
          local government and Confucian temples within the state. 8  (Collected Statutes of the Great Ming),  vessels for worshipping
            Although it is not certain to what extent this early Ming   Heaven at the Circular Mound Altar (Huangqiu 圜丘), apart
          ritual policy was followed, we know that it was long lived. For   from jue 爵, deng 登, xing 鉶, fu 簠, gui 簋, bian 籩 and dou 豆,
          almost 400 years this ceramic-oriented ritual practice lasted,   were all replaced by dishes or bowls made of ceramic (Pl.
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          at least up to the reign of the Yongzheng 雍正 emperor   13.2).  Interestingly, another order by the emperor came
          (1723–35) in the Qing dynasty. We learn this fact from the   right after, which changed all the ritual vessels into
          comments made by the Qianlong 乾隆 emperor (r. 1736–95),   porcelain. This change is not only limited to the state level
          when he conducted systematic ritual reform in the 13th year   but was also enforced in other princely courts, local
                       9
          of his reign (1748),  followed by the publication of a ritual book  government and Confucius temples as shown in
          with illustrations, Huangchao liqi tushi 皇朝禮器圖式 (Illustrated   documents. 14
          Regulations for Ceremonial Paraphernalia of the Imperial Court) in   Recent studies on rituals and ritual vessels of the Song,
          the 24th year (1759). 10                          Yuan, Ming and Joseon dynasties provide us with a better
            Almost every recent publication on early Ming ceramics   basis for further study. Hsieh Ming-liang’s 謝明良 studies on
          mentions this unprecedented change by the Hongwu   the above-mentioned two systems of Sanli tu and Xuanhe bogu
          emperor in the 14th century. No one, however, has paid   tu ritual vessels, which were employed after the 8th century
          enough attention to this issue, leaving a number of further   in East Asian regions as shown in the cases of excavated
          issues to be explored in the course of this chapter.   burials of the Tang dynasty Empress Ai 哀 and the Yuan
                                                            dynasty Wang 汪 family, help us identify the choices being
          A third system: What was the main content of this   made in different periods.  Chen Fang-mei 陳芳妹 and Hsu
                                                                                 15
          change of ritual vessels?                         Ya-hwei 許雅惠 take a broader view of East Asian
          Previous studies have shown that there were two   Confucian ritual practice. Hsu Ya-hwei studies the set of
          distinguished systems of ritual vessels employed from at least   black pottery ritual vessels from the Yuan dynasty
          the Song to the Yuan dynasty: the ritual vessel shapes for   unearthed from Saiyinchidahu’s 賽因赤答忽 tomb at
          worshipping illustrated in the Sanli tu 三禮圖 (The Illustrated   Luoyang 洛陽, Henan, and argues that the ritual vessel
          Catalogue of Three Ritual Classics) and those that followed the   shapes based on contemporary illustrated ritual books for
          ancient bronze shapes illustrated in the Xuanhe bogu tu 宣和博  county level, Shaoxi zhouxian shidianyi tu 紹熙州縣釋奠儀圖
          古圖 (The Xuanhe Illustrated Catalogue of Antiquities) (Pl.   (Illustrated Shaoxi Confucius Worshipping Ceremony of Counties),
          13.1a–b).  By the early Ming, with the introduction of the   was possibly edited by Zhu Xi 朱熹 (1130–1200) during the
                 11
          new idea of ritual vessels issued by the Hongwu emperor,   Southern Song period (only the Qing edition survives today)


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