Page 414 - Q23 - รวมผลงานทางวิชาการของอาจารย์ธานินทร์ เล่มที่ 1 สมบูรณ์

√«¡º≈ß“π∑“ß«‘™“°“√¢Õß»“ μ√“®“√¬å∏“π‘π∑√å °√—¬«‘‡™’¬√ 393

‡À¡◊Õπ°—∫°«’, π—°ª√–æ—π∏åÀ√◊Õπ—°‡¢’¬πª√–‡¿∑Õ◊ËπÊ. ‡¡◊ËÕ¡’®ÿ¥¥âÕ¬‡™àππ’È, π—°°ÆÀ¡“¬

®÷ßμâÕßÀ“®ÿ¥‡¥àπ„π‡√◊ËÕßÕ◊Ëπ¡“∑¥·∑π, °≈à“«§◊Õ μâÕß欓¬“¡‡Õ“„®„ à„π¥â“π·∫∫©∫—∫,
(Ò˘˘)
·≈–≈’≈“·Ààß°“√‡¢’¬π„Àâ¡“°¢÷Èπ ºŸâ‡¢’¬π‡ÀÁπ«à“§«“¡‡ÀÁπ¢Õßπ—°°ÆÀ¡“¬Õ‡¡√‘°—πºŸâπ’È
¡’ à«π®√‘ßÕ¬Ÿà∫â“ß°Á·μà‡æ’¬ß„π¥â“π¿“…“¢Õßμ—«∫∑°ÆÀ¡“¬´÷Ëß®—¥‰¥â«à“‡ªìπ‚«À“√ª√–‡¿∑
‰¡à‡©æ“–μ—« (impersonal style) ¥—ß°≈à“«·≈â«¢â“ßμâπ‡∑à“π—Èπ. à«π¿“…“°ÆÀ¡“¬

ª√–‡¿∑Õ◊ËπÊ, ‰¡àπà“®–‡ªìπ‡™à𧔰≈à“«À“π—Èπ‡≈¬, ‡æ√“–¿“…“°ÆÀ¡“¬ „πª√–‡¿∑
‡À≈à“π’ÈμâÕßÕ“»—¬À≈—°«‘™“·≈–»‘≈ª–ª√–°Õ∫°—π. ‡¡◊ËÕ‡ªìπ‡√◊ËÕߢÕß»‘≈ª–·≈â«, Õ“√¡≥å

¢Õß»‘≈ªîπ¬àÕ¡¡’∫∑∫“∑ ”§—≠¬‘Ëß ¥—Ë߉¥â°≈à“«·≈â«¢â“ßμâπ, ·μà°“√· ¥ßÕÕ°´÷Ëß»‘≈ª–„π
¿“…“°ÆÀ¡“¬ ¬àÕ¡·μ°μà“ß°—∫»‘≈ª–¢Õß¿“…“ª√–‡¿∑Õ◊ËπÊ ‡ªìπ∏√√¡¥“.

◊∫‡π◊ËÕß¡“®“°‡√◊ËÕߢÕß®‘μ„®·≈–Õ“√¡≥å¢ÕߺŸâ‡¢’¬π¥—ß°≈à“«π’È, ‡§≈Á¥≈—∫„π°“√

‡¢’¬π∑’Ë¥’¬àÕ¡Õ¬Ÿà∑’Ë¡’·π«§‘¥‡ÀÁπ∑’Ë¥’, «“ß·ºπ‡§â“‚§√ß°“√‡¢’¬π∑’Ë¥’, ·≈–‡¢’¬π„π√–À«à“ß
∑’Ë®‘μ„®ºàÕß·ºâ«·®à¡„ , ∑—Èß¡’Õ“√¡≥å™«π‡¢’¬π. ·μàÕÿª √√§ ”§—≠Õ¬Ÿà∑’Ë«à“ π—°°ÆÀ¡“¬

¡—°®–μâÕß∑”ß“π·¢àß°—∫‡«≈“‡ ¡Õ. ‡ªìπμâπ«à“Õÿ∑∏√≥å, Æ’°“, °ÁμâÕ߬◊Ëπ¿“¬„π√–¬–‡«≈“
∑’Ë°ÆÀ¡“¬°”Àπ¥ °“√‡√’¬ß§”æ‘æ“°…“§¥’Õ“≠“¢Õß»“≈™—Èπμâπ°Á¥ÿ®°—π. πÕ°®“°π—Èπ,

„π«‘™“™’æ°ÆÀ¡“¬°Á¡’ß“π∑’Ë®–μâÕ߇√’¬∫‡√’¬ß„π©—∫æ≈—π∑—π„¥‡ªìπ®”π«π¡“°. ‡√“¡—°®–
‰¡à¡’‡«≈“√Õ„À⇰‘¥Õ“√¡≥å™«π§‘¥, ™«π‡¢’¬π‡≈¬·¡â·μàπâÕ¬. ª√‘¡“≥·Ààß«√√≥°√√¡

°ÆÀ¡“¬∑’Ë¡’§«“¡¥’‡¥àπ‡ªìπ摇»…®÷ß¡’‰¡à¡“°‡∑à“∑’ˇ√“À«—ß°—π.

∑à“π»“ μ√“®“√¬å∫Õπ‡πÕ¡’ ‚¥‡∫√ (Bonomy Dobrée) ·Ààß¡À“«‘∑¬“≈—¬

ÕäÕ°´øÕ√奉¥â„Àâ¢âÕ‡μ◊Õπ„®∑’Ëπà“§‘¥‡°’ˬ«°—∫°“√Ωñ°‚«À“√∑’Ë¥’¢âÕÀπ÷Ëß«à“, Õ—π°“√‡¢’¬ππ—Èπ

(Ò˘˘)
The story writer of the poet, indeed almost every other writer, makes constant
use of a great human factor which is denied the lawyer - the element of emotion.
After all it is this element of emotion-in some one of its subtle and varied
forms - which makes the strongest appeal in this prosaic world, whether it be

with the crude and simple man or with the most highly cultured one. Since this
element of feeling is almost entirely banished from the writing of the lawyer, he
must be more careful than any other writer to make up for this handicap; and
he can only do that by giving more attention to the form and style of what he

writes.: Urban L. Lavery, ùThe Language of the Law,û American Bar Association
Journal, Volume 8, 1922, p. 270.