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grandson of Perseus. But Perseus was great-grandfather of Heracles only in the Argive Myth;
really, the theme is taken from a Pelasgian Myth much older, of Iberic-Atlantean origin, which
refers to the adventure undertaken by a typical Hyperborean Spirit to reach immortality and
Wisdom. In the primordial theme the Spirit of Perseus was not Argive but natal of the Iberian
Atlanteans, that’s to say, from a population much more occidental; because of this his feat was
not carried out by a mere mortal King as Polydectes but from a Goddess of the Wisdom, Frya,
the wife of Navutan: all the Names, and functions of the Gods, were changed then, and
disrupted, by the populations of the Cultural Pact, remaining the story of Perseus on its known
form.
The theme is simple and, when I will expose it, you will substantiate that it can't proceed
from any other place than from the Hyperborean Wisdom of the White Atlanteans. A
Hyperborean representation of the Origin, as I mentioned before, was Thule, the isotropic core
from where proceeded the Spirit. In a similar way, for the first descendants of the White
Atlanteans, the Origin was Pontus, which later was personified as God of the Sea and was
identified with the Wave, surely due to from this «Origin» came their Ancestors. This Pontus
married with Gaia, the Earth, who gave birth, amongst others, to Phorcys and Ceto,
prototypical symbols of the hybrid beings, half animals half Gods: in an undercurrent esoteric
this image alludes to the Spirit provided by Pontus, the Origin, to the animal son of the Earth.
The brothers Phorcys and Ceto married at their time, next to a set of hybrid Archetypes,
they gave birth to three women who born already «old»: the Graerae or Grey Sisters, i.e., the
Grays. Naturally, the Graerae or Grey Sisters are not other than the Vrayas, the Wise Warriors
in charge of the custody of the Stone Plow and the Stone of Venus: they are «old» because they
must be Wise and who ignores the meaning of the lytic instruments will affirm later that
«within the three of them just had one Eye and one Teeth».
Perseus is the idealization of the captive Spirit that attempts the feat of the liberation
from the material prison; his objective is to discover the Secret of the Death, obtain the Highest
Wisdom, and find the Original Couple. Navutan and Frya inspire them to consult the Vrayas
and they, with the Stone of Venus, signalize him the path to follow: he must go to a Sacred Ash
Forest and claim for the help of the Gods to face with success the Death. Is what Perseus made
and is produced the encounter with Navutan. The God informs him that the Wisdom is in
possession of his Wife, Frya, though it is not easy to reach her because the Death interposes in
the steps of simple mortals. To smooth away the journey to Frya, Navutan reveals to Perseus
the Secret of the Flight and give him the Sign of the Half Moon, i.e., the symbol of the
Hyperborean Pontiff, the Wisest bridge Builders of the White Atlanteans: according to the
White Atlanteans, the Hyperborean Pontiffs knew how to tend an infinite bridge
between the Spirit and the Origin (Pontus). The grade of Hyperborean Pontiff was
confirmed by Vides, the Lord of K'Taagar, when he gave, to those who reach the Door of the
Abode of the Liberator Gods the cap and the helm: on the forehead of that helm the Pontiffs
impress the Sign of the Half Moon. It is tradition that the Pontiffs dressed in this way disposed
of the Faculty of turning culturally invisible, not by the effect of that attire, of course, but for
the Wisdom that implies its possession. Navutan teaches to Perseus the Language of the Birds
and guides him up to the Abode of Vides, who invest him in Hyperborean Pontiff: in his
journey towards Frya, Perseus will keep in the hand a crop of crane containing sixteen stones,
in each one of them is engraved a Vrune. When approaching to Frya, Navutan advise the hero

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