Page 104 - Bonhams, Roger Keverne Moving on Part 1 May 11, 2021 London
P. 104

The present lot could perhaps be a posthumous portrait
                                                                      of Gu Zhenguan. At this time, Tang Ying (1682-1756) also
                                                                      commissioned a soapstone portrait of himself carved by
                                                                      Wang Muzhai, instead of the usual painted portrait on silk
                                                                      or paper, see D.Ko, The Social Life of Inkstones: Artisans
                                                                      and Scholars in Early Qing China, Washington, 2017, p.18,
                                                                      fig.1.2. The style of carving is closely related to Dehua
                                                                      blanc-de-Chine porcelain. See for example, a related
                                                                      figure of Wenchang, the God of literature, illustrated in
                                                                      Dehua Wares Collected by the Palace Museum I, Beijing,
                                                                      2016, p.168, no.59.
                                                                      162
                                                                      A GILT-LACQUERED WOOD FIGURE OF AN
                                                                      IMMORTAL
                                                                      17th century
                                                                      Possibly depicting one of the Hehe Erxian, deftly carved
                                                                      standing with his left hand holding a box and cover, the
                                                                      right hand held up before the plump torso, with a serene
                                                                      face turned slightly to his left, two tufts of hair tied into
                                                                      neat knots, adorned with billowing scarves and loose
                                                                      robes with floral hems. 47cm (16in) high.
                                                                      £3,000 - 5,000
                                                                      CNY27,000 - 45,000

                                                                      Please note this Lot is to be sold at No Reserve.
                                                                      本拍品不設底價

                                                                      十七世紀 木雕彩漆仙人像














                   161
           161
           A RARE BOXWOOD SEATED FIGURE OF GU
           ZHENGUAN
           Late 17th/18th century
           Carved from a solid block, the impassive figure
           seated on a textile-draped throne above a foot stool,
           holding a ruyi-sceptre along his right arm, wearing
           an official hat and a plain robe looped at the sleeves
           and retained by a simple belt, the surface of even
           pale lustrous tone, the underside incised with the
           three-character name Gu Zhenguan.
           30in (11 3/4in) high.
           £2,000 - 3,000
           CNY18,000 - 27,000
           Please note this Lot is to be sold at No Reserve.
           本拍品不設底價

           十七世紀晚期/十八世紀 黃楊木雕文人坐像

           The name carved underneath is of Gu Zhenguan
           (1637-1714) a well-known scholar and poet.
           Together with Zhu Yizun (1629-1709) and Chen
           Weisong (1626-1682), Gu is considered one of the
           three great masters of 17th century Ci lyric poetry.
           He is also sometimes grouped with Nalan Xingde
           (1655-1685) and Cao Zhenji (1634-1698).

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