Page 116 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
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                       efforts of the Meiji state (1868-1912).  Before the advent of “bijutsu,” the conventional term


                       for arts was “geijutsu ᖵஔ,” a concept which invoked other broader ideas such as military

                       expertise, Buddhist iconography, and calligraphy.  “Geijutsu” had itself spread to Japan as a


                       byproduct of the influence of Confucian trends during the Edo period (1603-1867).  In the

                       late-nineteenth century, the concept geijutsu provided the platform on which twentieth


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                       century ideas about art developed.    The transmitted concept from Europe encompassed
                       the diametrically opposed but mutually constitutive branches of fine arts and craft arts, was


                       transplanted from Europe.  The circular trajectory of “bijutsu” and “geijutsu” paralleled the

                       same route along which porcelain texts and information also flowed.


                              English-language studies on ceramics began with the establishment of Britain’s

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                       museums in the nineteenth-century.   A central figure in the history of these twin

                       developments of the latter half of the nineteenth century was respected the English doctor,

                       Dr. Stephen Wootton Bushell (1844-1908).  Bushell was the HMS Physician to the

                       British legation in Beijing.  Fluent in Chinese and familiar with sinological methods, he


                       was an avid collector of ceramics, as well as other objects such as jade and bronzes.

                       Only five years after his arrival in Beijing, Bushell had already achieved an authoritative


                       reputation in researching Chinese art.  He was chosen as a personal porcelain buyer for

                       the British Museum’s keeper of antiquities, Augustus Wollaston Franks.  In the 1870s


                       Franks recommended Bushell for the task of purchasing artifacts for the South

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                       Kensington museum’s collection.   By the mid-1880s, Bushell had purchased over two

                       hundred pieces of porcelain from China, laying the foundation for the South Kensington

                       Museums’ collection of Chinese art.  His responsibilities included writing the handbook


                       guide to these collections.   Until Bushell began to publish various translations of
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