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perceived as rural, semi urban or vernacular
heritage by the conservationists and
protagonists and consumers of cultural
heritage tourism may be looked at as a vestige
from poorer times by the locals. As a result of
their economic empowerment, the traditional
communities automatically begin to imitate the
lifestyle and construction technologies of their
global or neighboring ‗modern‘ counterparts
as introduced to them through media or
personal visits due to employment
opportunities in other areas.
The transformation from the characteristic
traditional construction with locally made roof
tiles, masonry walls with mud plaster and
timber roof framework to generic reinforced
cement concrete frame structures with brick
walls and cement plaster in the villages of
Central India is one such example. The
changing character that results from these
transformations are perceived as negative by
the cultural heritage tourism promoting
participants and positive by the local
communities. It is worth mentioning here that
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