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The Production of Novelty               83

            of how people think throughout the long stretches between the insights, and
            hence only half an answer to the question of distinctiveness. Creative thinking
            essentially involves insight, but what effective analytical thinking consists of,
            they did not say.
               The most interesting but also most problematic aspect of the Gestalters’
            theory is their answer to the question of what gives direction to the creative
            process.  The  Gestalters  claimed  that  restructuring  moves  toward  better,
            more balanced representations. By better they meant more responsive to
            the task demands, but also more intelligent and sometimes even aestheti-
            cally and morally better. They refused to separate fact and value. a better
            structure is not only more effective or useful vis-à-vis the problem at hand,
            but also more proper and harmonious, more in touch with the true nature
            of things. Like Poincaré’s claim about the power of intellectual beauty to
            guide mathematical discovery, the Gestalters relied on differences in the
            goodness of the relevant Gestalts to select the right representation for the
            problem at hand. 58
               The obvious question is how this is supposed to work. if the material situ-
            ation confronting the problem solver is compatible with a set of possible rep-
            resentations, and the restructuring process is a lateral move from one of those
            representations to another, then why cannot the restructuring process move
            from better to worse, from a modestly helpful representation to a useless one?
            What guarantees that restructuring moves up the goodness gradient and what
            guarantees that a Gestalt that is better, in the aesthetic, almost moral sense, is
            also more useful for solving the problem at hand?
               Köhler provided a surprisingly contemporary answer.  He claimed that
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            Gestalts were consequences of the laws that govern the electromagnetic fields
            generated  by  electrical  activity  in  the  brain.  He  hypothesized  that  Gestalts
            arise as a result of the interactions among local electrical processes such as
            the discharges of individual neurons. He anticipated many of the observations
            in later studies of self-organization in nature by highlighting physical systems
            that  tend  to  spontaneously  organize  themselves  into  patterns  and  regular
            structures. Flames and soap bubbles were among his examples. restructuring
            of a problem representation is analogous to the redistribution of tension over
            the surface of a soap bubble when disturbed. The brain’s electrical activities,
            like other material systems, move toward states of lowest energy. The Gestalt
            of a problem situation moves toward a better structure in the same way and for
            the same reason that water flowing downhill invariably collects in the lowest
            point. No psychological theory before or since has linked the mental and the
            physical in quite this way.
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