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not strong at all. And it was not for less; the dead had her hands closed over the blankets on
               both sides of the body, position where they had to be at the moment of the death and that the
               cadaveric  rigidity  conserved.  What  indicated  that  she  didn’t  defend  herself  against  the
               mysterious murderer. He infused such terror that, even looking how he passed the rope around
               her neck, and then, feeling it closing and cutting her breathing, she only desperately clung to
               the blankets. Such deduction was confirmed by the contemplation of the gesture on her visage:
               big and exorbitant eyes; a half-closed mouth, allowing to see the swollen tongue, which seemed
               to  be  broken  on  an  unfinished  word,  something  that  may  will  be  never  pronounced  again,

               perchance the mysterious «Pachachutquiy».

                      I will expose now the second absurd and irrational element which, as it intervened with
               the  weight  of  the  concrete,  removed  any  hope  to  obtain  a  soon  and  simple  solution.  I  will
               explain it better. The incomprehensible fact that the door was locked at the moment of the
               crime, first element, could be disregarded establishing the logic hypothesis, even if they were
               improbable, that the  killer had  another  key, or  the existence of a conspiracy  of the medical
               staff, etc. After all, such hypothesis was formulated by the police and what they pretended was
               to despoil the case from any «mystery» or supernatural illusion. But the ivory colored  rope,
               second element, was a too tangible object to be ignored.

                      The second element was the evidence that something sinister and irrational had been
               irresistibly installed among us. It was about a rope of one meter long; made of hair, apparently,
               human, braided and dyed. But the exceptional, was represented by the two gold medals, one on
               each side, turning madly in the two small cones of gold. The medals by themselves constituted
               the  most  absurd  of  the  set:  exactly  equal  in  their  form  to  a  Star  of  David,  but  were  not,
               however,  their  engravings  and  inscriptions.  One  of  them  had  chiseled  a  four-leaf  clover
               wrought in the central hexagon; the other showed a fruit which, undoubtedly, corresponded to
               a pomegranate.

                      I found them similar to some masonic jewels that I saw in an exposition of the Rotary
               Club;  but  the  familiarity  ended  when  I  remembered  and  reasoned  that  the  only  point  of
               resemblance  between  these  and  them  was  the  Star  of  David  that,  as  everybody  knows,  is
               formed by two intertwined equilateral triangles. This is a symbol adopted since millenniums
               ago by the Hebrew people to identify themselves, as can be verified today seeing it in the flag of
               the State of Israel.

                      The  subsequent  parts  of  the  medals  had  inscriptions.  But  these,  farther  to  clarify
               something, increased our confusion because they were written in two different languages. One
               phrase, horizontally engraved in the center, was written in Hebrew characters, even though
               those signs were not the same on each medal. Surrounding these words was another inscription
               in Latin letters, this time identic for both jewels. In that moment no one could clarify to what

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