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carved, which emerge immediately from under the Crown; because even She, as the Child,
exhibits the attributes of the Royal Dignity: both Crowns are triple and octagonal; in regard to
the Child, he is seated on her lap, over the left knee, while She lovingly, sustains him from his
shoulders with the left hand: in difference to the Sculpture of the Virgin, which is of painted
wood, the Child one is of White Stone; Virgin of Wood, Child of Stone: the Countenance of the
Virgin is painted of immaculate White, the Hair of Gold, the Body of Red and the Cathedra of
Black; with the right hand, the Virgin wields a bundle of sixteen spikes of Wheat and a birch
rod, with the left hand she holds the Child; her foots are separated, as her knees, and beneath
her right foot can be seen, crushed, the head of a serpent; the Child Kristos King, on his part,
looks fix ahead, in the same direction of his Divine Mother, and has a book in the left hand
while with the right he realizes a gesture that stands out the straight angle between
the fingers index and thumb.
It is evident why to the worship was given the name of «The White Virgin of the Child of
Stone» or «Our Lady of the Grotto» due to, apart from the mention made by the Lords of
Tharsis about the place of the apparition of the Virgin, the «grotto» not intervened at all in the
Cult. But the case was that the Virgin, whose description I just made, represented clearly to
Ama, the Mother of Navutan, to whom the White Atlanteans called «The Virgin of K'Taagar»
because they pretended that She was still in the City of the Liberator Gods. But what means
K'Taagar? is an agglutination of three ancient words: the first «Hk», from which is only
conserved the final «K», that was for the White Atlanteans a generic Name of God, with Hk
they used to refer to the Unknowable and also to the Liberator Gods; the second is «Ta» or
«Taa», which means City: but not any City but Hyperborean City, City of the White Atlanteans;
and the third is «Gr» or «Gar», which is equivalent to Crypt, Grotto, or underground enclosure.
So, K'Taagar means, approximately: «The Underground City of the Liberator Gods». With the
suppression of the «K» and the transposition of the rest words, other populations have referred
to the same City as Agartha, Agarta, or A'grta, which means literally «Underground City». The
Virgin of K'Taagar is also the Virgin of Agartha. But «A'grta» can be interpreted as «the
grotto». In this form appears the real origin of the ingenious denomination «Our Lady of the
Grotto» that the Lords of Tharsis adopted to refer openly to the Virgin of Agartha.
In sum, when the imperial law of 392 that repressed the practice of the Pagan Cults was
dictated, the Lords of Tharsis were already Christians, Catholic Romans, and sustained in their
ecclesiae propiae the Cult to Our Lady of the Grotto, the Virgin of Agartha. It doesn’t mean
that with this change they renounced to the Cult of the Cold Fire: in reality, to celebrate such
Cult was not required any Image. Was the figurative necessity of the Lydians what, when
«perfectioning the Form of the Cult», introduced, in the past, the Image of Pyrene. But Pyrene
was the Cold Fire in the Heart and her simpler representation consisted in the Perennial Lamp:
to the Goddess Chosen Ones, to those who still believed in her Promise, would be enough with
the Perennial Lamp, because the end of the Ritual and the Test of the Cold Fire had to be
realized internally. Thereby, all the Ancient Mystery of the Cold Fire was exposed to the sight
in such Basilica of the Village of Turdes. But, as before, as always, only the Men of Stone
understood it. Only They knew, when praying in the Chapel, that the Gaze of Virgin of Agartha,
and of the Child of Stone, were nailed in the Flame of the Perennial Lamp; and that such
dancing Flame was Pyrene, was Frya, the Wife of Navutan, expressing with her dance the Secret
of the Death.
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