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ﻣﻌﺎﺑﺪ ﺑﺎﺭﻳﺎﺭ ﻭﺍﻟﻄﻘﻮﺱ ﺍﻟﺪﻟﻤﻮﻧﻴﺔ ٦,
ﺑﻬﺬﻩ ﺍﻟﺼﺮﺍﺣﺔ ﺍﻟﻔﻨﻴﺔ ﻭﺍﻟﻌﻠﻨﻴﻪ ﻧﺤﺖ ﺍﻟﻔﻨﺎﻥ ﺍﻟﺪﻟﻤﻮﻧﻲ ﺭﺳﻮﻡ ﺗﺼﻮﺭ ﻣﻤﺎﺭﺳﺔ ﺍﻟﻌﻤﻠﻴﺔ ﺍﻟﺠﻨﺴﻴﺔ ﺇ"
ﻟﻴﻨﻘﻞ ﻟﻨﺎ ﻭﺍﻗﻊ ﻛﺎﻥ ﺳﺎﺋﺪﺍً ﻭﺑﺸﻜﻞ ﻋﻠﻨﻲ ،ﻭﻫﻨﺎﻙ ﻋﻠﻰ ﺳﺒﻴﻞ ﺍﻟﻤﺜﺎﻝ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﻤﺨﻠﻔﺎﺕ ﺍﻷﺛﺮﻳﺔ ﻑ
ﺣﻀﺎﺭﺓ ﻭﺍﺩﻱ ﺍﻟﺮﺍﻓﺪﻳﻦ ﻣﻤﺜﻠﺔ ﻑ ﺍﻷﺧﺘﺎﻡﺍﻷﺳﻄﻮﺍﻴﻧﺔ ﺃﻭ ﺍﻟﻘﻮﺍﻟﺐ ﺍﻟﻄﻴﻨﻴﺔ ﺗﻮﺿﺢ ﺍﻟﻌﻤﻠﻴﺔ
ﺍﻟﺠﻨﺴﻴﺔ ﺑﻴﻦ ﺍﻟﺬﻛﺮ ﻭﺍﻷﻧﺜﻰ ﻭﺃﻗﺪﻡ ﺧﺘﻢ ﺃﺳﻄﻮﺍﻧﻲ ﻳﺼﻮﺭ ﺭﺟ ًﻻ ﻋﺎﺭﻳًﺎ ﻳﻘﻒ ﺧﻠﻒ ﺇﻣﺮﺃﺓ ﻋﺎﺭﻳﺔ
ﺗﺼﻮﺭ ﺍﻹﺧﺼﺎﺏ ﻣﻦ ﻣﻮﻗﻊ ﺗﺒﻪ ﻛﻮﺭﻩ ﻣﻌﺎﺻﺮ ﻟﻔﺘﺮﺓ ﺍﻟﻮﺭﺎ(ﻛﺀ 053ﻕ.ﻡ ) ﻭﺧﺘﻢ ﺃﺧﺮ ﺳﻮﻣﺮﻱ
ﻋﺜﺮ ﻋﻠﻴﻪ ﺃﺛﻨﺎﺀ ﺍﻟﺘﻨﻘﻴﺒﺎﺕ ﻍ ﺗﻞ ﺍﺳﻤﺮ ﻳﻮﺿﺢ ﺗﻔﺎﺻﻴﻞ ﻫﺬﺍ ﺍﻟﺰﻭﺍﺝ ﺯﻭﺍﺝ ﺍﻹﻟﻪ ﻧﻨﻮﺭﺗﺎ ﺑﺎﻹﻟﻬﺔ ﺑﺎﻭ
ﻧﻘﺸﺖ ﻋﻠﻴﻪ ﺻﻮﺭﺓ ﺳﺮﻳﺮ ﻳﻨﺎﻡ ﻋﻠﻴﻪ ﺍﻹﻟﻪ ﻭﺍﻹﻟﻬﺔ 2ﺣﺎﻟﺔ ﺯﻭﺍﺝ ،ﻭﻣﺸﺎﻫﺪ ﺃﺧﺮﻯ ﺗﻌﻮﺩ ﻟﻌﻬﺪ ﻓﺠﺮ
ﺍﻟﺴﻻﻻﺕ ﻭﺍﻟﻌﻬﺪ ﺍﻟﺒﺎﺑﻠﻲ ﺍﻟﻘﺪﻳﻢ ﻭﺃﻏﻠﺒﻬﺎ ﺗﺠﺴﺪ ﺍﻟﻤﻀﺎﺟﻌﺔ ،ﻭﻳﺸﻴﺮ ﺍﻷﺳﺘﺎﺫ ﺭﺿﺎ ﺍﻟﻬﺎﺷﻤﻲ &
ﻛﺘﺎﺑﻪ ﻧﻈﺎﻡ ﺍﻟﻌﺎﺋﻠﺔ 2ﺍﻟﻌﻬﺪ ﺍﻟﺒﺎﺑﻠﻲ ﺍﻟﻘﺪﻳﻢ ( 17072-0-25ﻕ،ﻡ ).ﻣﺸﻬﺪ ﺻﻮﺭﺓ ﺍﻟﺠﺮﺓ
ﻭﺍﻷﻧﺒﻮﺏ ﺍﻟﻤﻐﻄﺲ ﻓﻴﻬﺎ ﺍﻟﺬﻱ ﺗﺸﺮﺏ ﻣﻦ ﺧﻻﻟﻪ ﺍﻟﻤﺮﺃﺓ ﺃﺛﻨﺎﺀ ﺍﻟﻤﻮﺍﻗﻌﺔ ﺍﻟﺠﻨﺴﻴﺔ ﺭﺰ ًﻣﺍ ﻟﻬﺬﻩ ﺍﻟﻮﻻﺋﻢ
ﺍﻟﺘﻲ ﻳﻘﺼﺪ ﻣﻨﻬﺎ ﺗﻌﻤﻴﻢ ﺍﻟﻮﻓﺮ ﻭﺍﻟﺨﻴﺮ ﻟﻠﺠﻤﻴﻊ ﺻﺤﻴﺢ ﻟﻢ ﻳﻌﺜﺮ ﻫﻨﺎ 2ﺍﻟﺒﺤﺮﻳﻦ ﻋﻠﻰ ﻛﺘﺎﺑﺎﺕ ﺗﺸﻴﺮ
ﻭﺗﺆﻛﺪ ﻭﺟﻮﺩ ،ﻘﻃﺱ ﺍﻟﺰﻭﺍﺝ ﺍﻟﻤﻘﺪﺱ ﻓﻤﺎﺫﺍ ﻳﻤﻜﻨﻨﺎ ﺃﻥ ﻧﻘﻮﻝ ﻧﺤﻦ ﻍ ﺗﻜﺮﺍﺭ ﻫﺬﺍ ﺍﻟﻨﻮﻉ ﻣﻦ ﺍﻟﻨﻘﻮﺵ
ﻑ ﺍﻷﺧﺘﺎﻡ ﺍﻟﺪﻟﻤﻮﻧﻴﺔ ﺣﻮﻝ ﻧﻔﺲ ﺍﻟﻤﻮﺿﻮﻉ ،ﺣﻴﺚ ﺗﺸﻴﺮ ﺍﻷﺩﻟﺔ ﺍﻟﻜﺘﺎﺑﻴﺔ ﻍ ﺑﻻﺩ ﻣﺎ ﺑﻴﻦ ﺍﻟﻨﻬﺮﻳﻦ ﺇﻟﻰ
ﺃﻗﺪﻡ ﺫﻛﺮ ﻟﻜﺘﺎﺑﺔ ﻣﺴﻤﺎﺭﻳﻪ ﻋﻠﻰ ﺍﻟﺰﻭﺍﺝ ﺍﻹﻟﻬﻲ ﺯﻣﻦ ﻛﻮﺩﻳﺎ ﺃﻣﻴﺮ ﻟﻜﺶ ﺍﻟﺜﺎﻧﻴﺔ 2١50ﻕ.ﻡ .ﺯﻭﺍﺝ
ﺍﻹﻟﻪ ﻧﻨﺠﺮﺳﻮ ﺇﻟﻪ ﻣﺪﻳﻨﺔ ﻟﻜﺶ ﻭﺯﻭﺟﺘﻪ ﺍﻹﻟﻬﺔ ﺑﺎﺅ ﻭﻧﺺ ﺃﺧﺮ ﻳﺸﻴﺮ ﺻﺮﺍﺣﺔ ﺇﻟﻰ ﻫﺬﺍ ﺍﻟﻔﻌﻞ ﻳﻌﻮﺩ
ﺇﻟﻰ ﻋﻬﺪ ﺷﻮﻟﻜﻰ ﺍﻟﻤﻠﻚ ﺍﻟﺜﺎﻧﻲ ﻟﺴﻻﻟﺔ ﺃﻭﺭ ﺍﻟﺜﺎﻟﺜﺔ ،ﻭﺣﺴﺐ ﺫﻛﺮ ﺍﻷﺳﺘﺎﺫ ﺻﻤﻮﺋﻴﻞ ﻧﻮﺡ ﻛﺮﻳﻤﺮ&
ﻛﺘﺎﺑﻪ ،ﻘﻃﺱ ﺍﻟﺰﻭﺍﺝ ﺍﻟﻤﻘﺪﺱ " ehTsacred Marriag'eritesﺇﻥ ﺍﻟﺰﻭﺍﺝ ﺍﻟﻤﻘﺪﺱ ﺑﺎﻋﺘﺒﺎﺭﻩ ﺟﺰﺀ
ﻣﻦ ﺍﻟﻌﻘﻴﺪﺓ ﺍﻟﺪﻳﻨﻴﺔ ﻻﺑﺪ ﻭﺍﻥ ﺗﻘﺎﻡ ﺷﻌﺎﺋﺮﻩ ﻑ ﺍﻟﻤﻌﺒﺪ ﻻ ﺍﻟﻘﺼﺮ .
ﻭﻧﻈﺮﺍ ﻟﻜﻮﻥ ﻫﺬﻩ ﺍﻟﻌﻤﻠﻴﺔ ﺗﻘﺎﻡ 2ﺍﻟﻤﻌﺒﺪ ﻭﻧﻈﺮﺍ ﻟﻌﻻﻗﺘﻬﺎ ﺑﺎﻟﺪﻳﺎﻧﺔ ﺍﻟﻘﺪﻳﻤﺔ ﻭ ﻓﺘﺮﺓ ﺍﻷﻟﻒ
ﺍﻟﺜﺎﻟﺜﺔ ﻗﺒﻞ ﺍﻟﻤﻴﻻﺩ ﻭﺍﻟﺘﻲ ﺗﻌﻮﺩ ﺇﻟﻴﻬﺎ ﻓﺘﺮﺓ ﺑﻨﺎﺀ ﻫﺬﺍ ﺍﻟﻤﻌﺒﺪ ﻓﺈﻧﻪ ﻟﻢ ﻳﻜﻦ ﻫﻨﺎﻙ ﺣﺮﺝ ﻣﻦ ﻧﺤﺖ ﻫﺬﻩ
ﺍﻟﻘﻮﺵ 2ﺍﻷﺧﺘﺎﻡ ﺍﻟﺪﻟﻮﻧﻴﻪ ﻟﺬﺍ ﻓﺎﻥﺇﻗﺎﻣﺔ ﻫﺬﻩ ﺍﻟﺸﻌﺎﺋﺮ eﻣﻌﺎﺑﺪ ﺑﺎﺭ ﺑﺎﺭ ﻳﻤﻜﻨﻨﺎ ﺍﻋﺘﺒﺎﺭﻩ ﺍﺣﺘﻤﺎﻝ