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        Teachers are free to choose what elements of music he/she thinks is necessary to apply to the student’s specialization.

                   •  Rhythm (Simple & Compound Meter, Syncopated, Ostinato, Drone)
                   •   Melody (Key Signatures, Scale Degree names  Types and Qualities of Intervals, Modes)
                   •  Harmony (Chord Functions, Tonic, Dominant, Chord Progressions, Drone & Melody)
                   •  Tempo (Grave, Lento, Prestissimo, Ritardando, Accelerando, Rubato)
                   •  Dynamics(crescendo, decrescendo, diminuendo)
                   •  Timbre (Hornböestel-Sachs Classification, Voice – SATB, Solo, Duet, Trio, Quartet, Bel Canto, Indigenous Vocal Styles)
                   •  Form (Canon, Fugue, Sonata Allegro, Concerto, Symphony, Theme & Variations, Cyclic form, Indigenous Forms)
                   •  Choral  Harmony, Balance & Blending


        Grade Level: Grade 9
        Subject: SPA – Music

                  Quarter                   Content Standards                Performance Standards           Most Essential Learning            Duration
                                                                                                                  Competencies
           st
         1  Quarter                  demonstrates an understanding      performs Philippine indigenous      1. distinguishes the                 Week 1
                                     of cross-cultural comparison       and Medieval/Renaissance music      different functions of
                                     between Philippine indigenous      based on its functions to daily     Indigenous music in
                                     and Medieval/Renaissance music.  life.                                 Philippine and western
                                                                                                            setting.

                                                                                                            2. displays familiarity in           Week 2
                                                                                                            various performance
                                                                                                            practice of Philippine and
                                                                                                            Western music.
                                                                                                            3.outlines the historical            Week 3
                                                                                                            and geographical
                                                                                                            background of Philippines
                                                                                                            and Western countries.
                                                                                                            4. analyzes how socio-               Week 4
                                                                                                            cultural functions and
                                                                                                            historical events
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